A Quote by Baz Luhrmann

In the '60s not everybody was wearing flowers in their hair and flowing caftans. — © Baz Luhrmann
In the '60s not everybody was wearing flowers in their hair and flowing caftans.
Let us dance in the sun, wearing wild flowers in our hair.
Young people have always established themselves in an anti-establishment way - I don't care if it's wearing long hair, wearing bell bottoms, wearing miniskirts. But there was always an adult that said, 'Cut your hair, make that skirt longer.' There was always a way to correct it, and that's the role of our schools.
If wearing a weave is what makes you feel beautiful, if wearing a wig, if wearing your hair pink, blue, that's what matters, in my opinion.
When you start performing, you realize that you have to separate yourself from the pack. So I would never wear bell-bottoms, which everybody else was wearing. I had short hair - and to see a 21-year-old guy walk onstage without longish hair was, in itself, weird. Every entertainer needs a shtick.
I started wearing wigs when I was younger and had a thyroid disease that made my hair fall out. It was devastating. I thought, 'I could either have an issue with this, or I could go to the store and buy a wig.' And then I fell in love with wearing them, and I stuck with it even after my hair came back.
I am a bit of a fundamentalist when it comes to black women's hair. Hair is hair - yet also about larger questions: self-acceptance, insecurity and what the world tells you is beautiful. For many black women, the idea of wearing their hair naturally is unbearable.
In the early-'60s, when you look at that period of time - up to the mod time - when everybody was wearing skinnier suits and skinny lapels and skinny ties - that came out of the States, and that was quite cool.
I had an injury in my leg, and everybody was talking about that. I decided to cut my hair and leave the small thing there. I come to training, and everybody saw me with bad hair. Everybody was talking about the hair and forgot about the injury. I could stay more calm and relaxed and focused on my training.
I just like short hair on women, I think it's cool. And I have wanted to cut my hair for very many years, but being on contract with a television show for six years prevents you from doing that, and then being on contract with a cosmetic endorsement campaign prevents you from doing that again. So for eight years, I've had to have long, flowing locks. And I was just so sick and tired of long, flowing locks, so I chopped them.
The forties and fifties were years of high poet-incense; the language-flowers were thickly sweet. Those flowers whined and begged white folks to pick them, to find them lovable. Then the '60s: Independent fire!
I've straightened my hair for many years. I've never felt comfortable wearing my hair natural on air.
I lost my hair, and went around wearing a hair piece.
My wearing my hair in locs on an Oscar red carpet was to showcase them in a positive light, to remind people of color that our hair is good enough.
Our hair can be a fun outlet for self expression. I love wearing cornrows and getting my hair thread-wrapped because it feels ancient and African.
The stockbrokers, their hair isn't long and full of leaves and stuff like that, so they don't catch your eye. They're wearing the tie-dye, so they don't stick out, but you don't see them. The ones you see are the ones with the leaves in their hair, the matted hair and all that kind of stuff.
Everybody dresses like a teenager. Everybody dyes their hair. Everybody is concerned about a smooth face.
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