A Quote by Baz Luhrmann
There's a whole system in Hollywood where the director never speaks to the studio, but I like to engage them in a discussion. I listen.
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I think Hollywood is more of a state of mind then a place. There are certainly iconic locations in L.A. but as far as the glitz and glamour of old Hollywood and the studio system, that's all but faded away.
I've never had help from anyone, ever. I've never had this great director who saw themselves in me, because I'm a French woman in Hollywood. Who could identify with me as a successful director in Hollywood? Nobody. And the few people who could have been mentors, instead they just stole my ideas.
One quality that a director needs to acquire in Hollywood is to understand the system and figure out how to work within the system to express one's own ideas.
I can do a whole project with Madlib and turn around and do a record with Gucci Mane. Gucci Mane, E-40, and Black Thought on the same record. I like all those rappers, so why can't I work with them in some type of capacity? It just speaks to my versatility. I don't just listen to one type of rap. I listen to all of it so I can make all of it.
Having been subjected to the pigeonholing of Hollywood myself, I realized that once you become a studio-approved director, your chances of ever making your own film again are zero. You make the films that the studio wants you to make.
The good part of working in TV is it's like being a studio director in old Hollywood and approaching different genres. It's a chance to try out different styles.
[As a frontman ] I'm going to wear leather pants and get blowjobs in the studio. That would be nice. They are definitely not cool, but I like them. I don't listen to them, but I like them when I hear them on the radio, normally.
Even though I studied in New York and I know the American system, I come from France where I learned that with movies in France where the director is king. There's no such thing as a studio edit. It's the director's cut, period.
The plain truth is, 'Fruitvale Station' was made totally outside the Hollywood studio system, and every ounce of the picture feels authentic. The lives of the people involved in the movie will never be the same.
Actors, I think, are all the same. Both Korean actors and American actors are all very sensitive people, and they are all curious to know what the director thinks of them and how they are evaluated, and they try to satisfy the director. And they like it if you listen carefully to their opinions and accept them.
I think that I learned a studio system prefers a sort of professionalism from the director.
If I could, I would not do anything else. I'd just be in the studio for my whole life. I would never go to parties, events, and red carpets. I would rather just be in the studio for the whole time. I don't even care. Nobody has to know what I look like. I just want to make music.
In Korea, the director has the final word. If the director makes a decision, that decision is final. In Hollywood, every decision needs to go through the producer, the studio, and sometimes even the main actor. There is a certain procedure that needs to be followed.
What I have never been afraid of is to be a little silly, and you can engage people that way. My view is, first you get them to laugh, then you get them to listen.
During the Hollywood studio system, they looked for people who were unusual. The stars had peculiarities.
I don't listen to a huge amount of music generally. Partly because you've sat in a studio for 10 hours and then when you come home you just want to read a book, and listen to the sound of your central heating system.
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