A Quote by Baz Luhrmann

My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic. — © Baz Luhrmann
My father made sure that I had lots of levels of education – from ballroom-dancing to painting, commando training, theatre and magic.
My father made sure that I had lots of levels of education - from ballroom-dancing to painting, commando training, theatre and magic.
I didnt learn until I was about 26 that my dad was a national ballroom dancing champion. He won loads of trophies. Im not sure why he was so quiet about his achievements. Maybe he thought ballroom dancing wasnt a manly thing to do.
Growing up in the Soviet Union, ballroom dancing wasn't the coolest thing to do. But that probably made me tougher, because it wasn't an easy task to do ballroom dancing and not get bullied. And I never got bullied in my life, even though I changed to five secondary schools in three different countries.
The theatre training is second to none in Ireland and England. You meet people who haven't had theatre training - it is harder for people who worked in TV to go into theatre than the other way around.
My mother and father stressed education and always made sure we had a place to study and books to read.
I started formal piano training when I was 4. From there I had little violas, and I had dancing lessons of every sort and description, and painting lessons. I had German. And shorthand.
It's great that ballroom dancing is being recognised. For many years ballroom dancers were misunderstood and other dance forms didn't want anything to do with us.
Ballroom dancing: it's a wonderful thing at so many levels because you've got to follow the rules. They used to call those rules etiquette once upon a time, but you don't really have that any more.
My father is a writer and he always made sure that I watch all the plays that were happening in the Tagore Theatre in Chandigarh.
Both my brother and I have only had dance experience with ballroom dancing.
I love my mother. My mother made sure, her stubbornness - she made sure we was going to eat. She made sure we had Christmases. That was my mother. My father wasn't there for that.
I grew up dancing. When I was three years old, my mom would always watch Latin ballroom dancing competitions on PBS.
I didn't particularly aim to be a Shakespeare actor, but I suppose I had a certain gift or it; I certainly got offered lots of it. I liked Complicite and Shared Experience and Kick Theatre, and all the small theatre companies that were getting going. I wanted to be like that, making original theatre.
I didn't go to university. I studied theatre in high school and worked with Canberra Youth Theatre and The Street Theatre and other theatre organisations in Canberra, and that's how I got my training.
I enjoyed dancing with the Hardy Boyz back in the day. We did a lot of stuff at the house shows, dancing with Eddy Guerrero, and I think I had Mark Henry dancing as well. Kurt Angle danced. There were a lot of people who enjoyed that part of the magic of Rikishi and Too Cool.
I found that people had all kinds of levels of consciousness, all kinds of levels of education, but that Cubans in general were very educated politically. I could go sit in a bus and get into a conversation with someone and that person had a wealth of knowledge. And energy!
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