A Quote by Baz Luhrmann
My wife is the fact-checker, I'm in the story telling business.
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I see all art as a complement to telling people's stories. I'm in the storytelling business. I believe that the humanity that all of us share is the stories of our lives, and everybody has a story. Your story is as important as the next person's story.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
The fact that somebody's telling you a story about people who didn't exist doesn't make the experience of the story any less real in your heart and mind.
When I go on stage, I'm a different man. I become Chubby Checker, And when I'm not Chubby Checker, I'm preparing to be him.
The seminal elements of what makes a story great - challenge, struggle, resolution - are the same whether we're talking about story content for a movie such as 'Rain Man,' or telling a purposeful story to forge new business relationships or conclude a fruitful transaction, such as acquiring an NBA franchise.
The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
When it is real person, especially who means so much to millions of people, you have an obligation, you cannot take liberties, you cannot pretend to know. But we are telling the love story of Michael Aris and his wife, the story of a beautiful, lush country, and the emotions of a mother.
'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.
There's definitely a delicate line you have to walk in telling someone else's story that's not quite as delicate in telling your own story. I think when I'm working on a personal story, there's less pressure to try to get it exactly right.
I lost my wife to cancer and I saw the impact of telling my story - this is what happened, this is what God did and why he was faithful.
Just because I’m telling a story about a woman losing faith is not my rebellion against what I grew up in. If anything, it really affected the way I approached the story, and in fact, approach everything. I don’t judge my characters.
First, I was a fact checker for Zagat and then I was an editorial assistant for HarperCollins publishing house.
I got this story from someone who had no business in the telling of it.
My clothes have a story. They have an identity. They have a character and a purpose. That's why they become classics. Because they keep on telling a story. They are still telling it.
Each of the 'Toy Story's are telling an emotional story, but they're comedic. They're so successful creatively in terms of the stories they're telling. And they're pretty grounded.
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