A Quote by Beeban Kidron
Everything serious in the world is well approached by humour. It's a powerful and often quite subversive tool. I suppose there is an argument that could be made against me for being frivolous, but I do think a laugh is a very generous thing to give.
Related Quotes
I always believed that social science was a progressive profession because it was the powerful who had the most to hide about how the world actually worked and if you could show how the world actually worked it would always have a de-masking and a subversive effect on the powerful. I don't think that's quite true, but it seems to me it's not bad as a point of departure anyway.
Zen's greatest contribution is to give you an alternative to the serious man. The serious man has made the world, the serious man has made all the religions. He has created all the philosophies, all the cultures, all the moralities; everything that exists around you is a creation of the serious man. Zen has dropped out of the serious world. It has created a world of its own which is very playful, full of laughter, where even great masters behave like children.
'The Dictator' - well, that was just a comedy, and I suppose the morality was incidental. It was just something to try and make people laugh rather than being a serious thing.
Politicians don't laugh very often. That is their problem. Humour is very important in politics and I think the politicians should laugh more to get better results.
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
The expression I use: Pain + Reality = Progress. Whenever I would have a painful mistake, I started to view that as puzzles that would give me gems if I could solve the puzzle. So, it made me thoughtful - what should I do differently next time? That was the puzzle. And the gem was some principle for handling the same thing when it came along again, and then I would write it down. And by writing it down and referring to it, and also being able to show it to other people so that we could agree that that was a good way of handling that thing - that was very, very powerful.
The argument for liberty is not an argument against organization, which is one of the most powerful tools human reason can employ, but an argument against all exclusive, privileged, monopolistic organization, against the use of coercion to prevent others from doing better.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
I was a product of a divorced family and I used humor as a weapon to combat sadness. I used comedy to make my mother laugh in light of the darkness that she faced, and to me it became a very powerful tool at a very young age, at six. I saw how therapeutic it could be.
I enjoy the freedom of living alone and not having anyone interfere with my belongings. I mean, I'm quite a selfish human being. I think being in the public eye and growing up, it's made me quite selfish in some respects. I can be extremely generous with friends, but in relationships I can be quite mean in terms of my time and my affections. I take people for granted, and I'm trying not to do that.
I think that Americans find the Australian humour and the energy of Australians very refreshing - we are quite self-deprecating, we're light-hearted and can have a laugh.
My childhood was lonely. Both my parents were away a lot, working, and the maid basically raised me. And I think that's where a lot of my comedy comes from. Not only was the maid very funny and witty, but when my mother came home I'd use humour to try and get her attention. If I made mommy laugh, then maybe everything would be all right. I think that's where it [my comedy] all started.
I think humor is often a very powerful tool to be able to express ideas that are heavy.
Play doesn't have to be a frivolous thing. You may think of a Beethoven symphony as something serious, but it's still being played. I think Oscar Wilde said that life is too important to be taken seriously.
I think comedy does have that powerful thing that doesn't seem too preachy because you're also making people laugh, so it's really kind of a good tool for messaging.
My dad was an actor, and he made it all seem quite magical. It felt like a slightly subversive thing, telling stories, when all of my other friends' parents were builders or bank clerks. It's always seemed quite magical to me.
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