A Quote by Belinda Johnson

In the morning, I look at my calendar and think about whether things that aren't critical can be moved to the next week. — © Belinda Johnson
In the morning, I look at my calendar and think about whether things that aren't critical can be moved to the next week.
We take things for granted, and because we wake up every day, you start talking about what you're going to do next week. I said, 'Who told you you would be here next week?'
I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened.
If you write something in the evening or at night, look back over it the next morning. I tend to be less self-critical at night; sometimes, I've looked back at things I wrote the night before, and realized they were no good at all.
I try not to look back. I'm looking forward. I'm worried more about what I'm going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.
When you're young, you don't think very far ahead. You just think in terms of the next day, the next week, the next competition. You don't think about injuries that could threaten your long-term health.
What usually happens is that when I'm nearing the end of one novel a vague idea about what I want to do next begins to present itself to me in terms of theme. And I would say over about the next six to eight months, usually as I'm out power walking in the morning, or when I'm cooking at night, or when I'm driving in the car, the people who might embody those themes take on a sharper and sharper focus. And there comes this sort of critical mass moment when they actually start to do things in my head.
When youre young, you dont think very far ahead. You just think in terms of the next day, the next week, the next competition. You dont think about injuries that could threaten your long-term health.
Over in the UK, the music press can be brutal. They can say wonderful things about you one week, and the next week, you're in the can.
Unfortunately I think the Internet knows more about me than I do. I usually look it up to see what I'm going to be doing that next week.
I think that any woman who had a conversation with me and had an opportunity to truly understand my life story wouldn't view it through a critical lens. There are people, of course, in the world of politics, who look for things to be critical about. But those people are already against you.
I think we should do better next week, better the week after, and better right throughout the course of our government. Sometimes in parties these things happen, but it is not acceptable and I do believe that what people now want to do is to debate the future - about policy - and I think the issues about what Tony Blair will or will not do are going to be left to Tony Blair
I'm trying to leave more of my calendar open for the spontaneous things. A lot of fun stuff that happened in previous years were things that were like, 'Hey are you available next week?' I wasn't really open unless it was planned months in advance. I'm excited to play it by ear and let a lot of stuff happen as it happens.
Having the security of being in a series week in, week out gives you great flexibility; you can experience with yourself, try a different scene different ways. If you make a mistake one week, you can look at it and say, 'Well, I won't do that again,' and you're still on the air next week.
I think about the story while I think about other things. This is an important part of the process: I look at it sideways. If I look straight at it, it produces nothing other than what seem like complicated, brilliant designs that fall apart the following morning. In some way stories mature when you're not looking.
People think it's just a 16-week season, but this is a 52-week kind of job. You're always thinking about how to improve and what to get for the next year.
In our business, it's hard to look at anything in retrospect and look at your accomplishments because you're so busy thinking about the next week. What we do is 52 weeks a year.
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