A Quote by Bella Heathcote

[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it. — © Bella Heathcote
[Fifty Shades Darker director] James Foley directed Fear. And that's what I love about this film, because it has a real sexy thriller element about it.
I think the thriller aspect of this film [Fifty Shades Darker] is what excited me most.
Considering what the 'Fifty Shades of Grey' film is about, I wouldn't be able to play Anastacia.
I started working with James [Schamus] early on, and my role as an executive producer was more about being involved in the conversations of putting the film together. I didn't have to do much work because James is the most experienced first-time director you could imagine.
I don't know if it's a misconception, but I often get asked why I always make stories about family and love. Over the years, I´ve also directed commercials, a children's film, and TV - dramas (both comedic and darker), because I always feel the urge to go in a different direction with my next project.
I suppose they call me a womans director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
I suppose they call me a woman's director because there were all these movie queens in the old days, and I directed most of them. But I also directed Jack Barrymore and Ronald Colman and James Stewart, to name a few.
It does not feel any different being directed by a first-timer as long as I am convinced that the director is passionate about the film he or she is making. If you get a sense of their vision for the film and their aesthetics of your performance, then it does not matter whether you work with a new or an experienced director.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
Instead of the 1997 film directed, written, by James Cameron with Leonardo DiCaprio, Kate Winslet, Billy Zane creating a love story and a large diamond with a beautiful song “My Heart Will Go On” sung by Celine Dion. What about the real love story that took place that night between the passengers themselves, and many crew members knowing they would also give their lives. Adding another meaning for “SOS” Service, Obedience, and Sacrifice.
I kind of liked all the creeping stuff [in Fifty Shades Darker], like when they're sleeping and there's me just standing behind the bed. It was great.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
I'm not a real film buff. Unfortunately, I don't have time. I just don't go. And I become very nervous when I go to a film because I worry so much about the director and it is hard for me to digest my popcorn.
The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.
Physically stalking as opposed to Instagram stalking, which was kind of great. Leila [from Fifty Shades Darker ] puts my Insta stalking into perspective.
A British director directed 'American Beauty,' an important film about American life, and it didn't matter. What only mattered was everyone's sensibility.
I usually do about five cuts as a director. I haven't ever directed a film where I haven't made five passes through the movie, and that takes a long time.
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