A Quote by Ben Lewin
I am more connected to the world of the imagination, but you don't have to have polio to do that.
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I consider myself incredibly lucky to live and work in places like Canada and the U.S. where polio no longer threatens to rob the livelihoods of innocent children. As a young woman, I stand behind the women around the globe who are leading the charge against polio and working relentlessly to achieve a polio-free world.
Provocation polio. That is the truth about those outbreaks of polio. And I offer a well considered personal opinion that polio is a man made disease.
One of the things polio does is it takes away your energy. They don't know very much about it. They should be a lot more aware of what polio is.
With polio, we've gone several years with no polio in all of Africa, but now with this we're having to go and mop up in that whole region, so it's a bit of a setback for polio. So in parallel we have to go back and get rid of those cases.
Henry Corbin creates the world - most of all his examination of the imagination and what the imagination was for him. Some philosophers would think of the imagination as a synthetic ability, how you put different things together. Artists more think of the imagination as creativity. So I really like the way that he presents the imagination as a faculty that allows one to experience worlds that are not exactly physical but are real nonetheless.
I had a mild case of polio as a child. Not enough to cripple me, but it was polio. I still have an atrophy on the right side of my back.
To me this world is all one continued vision of fancy or imagination, and I feel flattered when I am told so. What is it sets Homer, Virgil and Milton in so high a rank of art? Why is the Bible more entertaining and instructive than any other book? Is it not because they are addressed to the imagination, which is spiritual sensation, and but immediately to the understanding or reason?
The more I get connected to my own breath and my own yogic experience and my own prayer and my own idea, the ideas that have existed for so long - that we all belong to each other and we could live a deeper spiritual existence - the more I get connected to that, the more I shun this world.
I am always connected with the Renaissance a lot; that's why I am connected with Pitti Palace.
Our mission is to make the world more open and connected. We do this by giving people the power to share whatever they want and be connected to whoever they want, no matter where they are.
I am a reader. I am a writer. People assume I do these things to escape. You couldn't be more right. I'm escaping a world I don't like. A world I have no control in. In this world, I am nothing. I am a color, a height, a weight, a number. But in the world of books and writing, I am amazing. I am powerful. I am different. People are better. Worlds are endless. Change is possible. Life is manageable.
Now in the digital age, in the age of social media, all of the wrestling audiences are so much more connected. I cannot stress that enough, how much more connected wresting audiences are around the world.
With each new day it becomes more apparent to me that everything and everyone in this world is connected in some beautiful and inexplicable way, and the more I accept that, the more my world seems to come together.
Science begins with the world we have to live in, accepting its data and trying to explain its laws. From there, it moves toward the imagination: it becomes a mental construct, a model of a possible way of interpreting experience. The further it goes in this direction, the more it tends to speak the language of mathematics, which is really one of the languages of the imagination, along with literature and music. Art, on the other hand, begins with the world we construct, not with the world we see. It starts with the imagination, and then works toward ordinary experience.
When I worked on the polio vaccine, I had a theory. I guided each [experiment] by imagining myself in the phenomenon in which I was interested. The intuitive realm . . . the realm of the imagination guides my thinking.
Imagination! Imagination! I put it first years ago, when I was asked what qualities I thought necessary for success upon the stage. And I am still of the same opinion. Imagination, industry [hard work], and intelligence-the three I's-are all indispensable to the actor, but of these three the greatest is, without any doubt, imagination.
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