A Quote by Ben Lovett

As a co-writer of the Mumford's songs, I'm always quite insecure about the music - I find it hard to accept any praise or feedback. — © Ben Lovett
As a co-writer of the Mumford's songs, I'm always quite insecure about the music - I find it hard to accept any praise or feedback.
Mumford and Sons and Adele are both incredible artists and are great for popular music. There's a lot of club music with heavy beats, so to have that Mumford record and hear banjos being used is so cool.
My album focuses on unrequited love quite a lot because I don't think it's spoken about enough in music. I've been through it myself and I found it hard to find songs that were about that, so I've definitely tried to make that a part of my album.
It's funny because you do often read in recounts of very famous albums, people tend to focus on mistakes in really positive ways, and there's certain mistakes of my own that I always do find on every record that I needed to accept. I find it really interesting to talk about. I always write songs at the wrong tempos, and I have to learn to accept that a little bit.
To learn anything other than the stuff you find in books, you need to be able to experiment, to make mistakes, to accept feedback, and to try again. It doesn't matter whether you are learning to ride a bike or starting a new career, the cycle of experiment, feedback, and new experiment is always there.
It's hard for me to always explain my songs, and people always expect a meaning and to know what it's about. Sometimes when I write these songs I'm feeling a particular emotion, so to then come back and explain what I was feeling or put it into words is quite difficult.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
I like lots of songs, and I find it quite interesting to do [cover songs] from time to time. My first solo hit was in 1973, the Dylan song “A Hard Rain’s Gonna Fall.”
It's just like an idea, like a chorus, and then we just jam on it - it happens in loads of different ways. The best songs I find always come from the subconscious, like when you don't think. Not to be pretentious about it, but usually songs just blurt out rather than thinking about it. I never write lyrics and then do a song, I find that really hard - that's like a real skill.
As an actor you can always blame the director or writer for negative feedback. But as a writer, you're the reason why everyone's in the room.
I was obsessed with country music when I was a kid, and it's definitely had a huge influence on the way I write songs. I was always attracted to songs that had a brilliant pun or a clever turn of phrase, but came from a dark, bitter place. As a writer, I've always gravitated towards that feeling.
I've always been aware that probably writing songs - stupid songs or, at least, theatrical songs - is, I dunno, I certainly don't think about that, about my persona on stage. In fact, I work really hard not to address it too much in my head.
I'm very honest in my music and I'm often asked to explain the lyrics; as an introvert, I find that quite hard. And I always wear high heels on stage, which can be painful.
I always tell people I write songs, but I'm a writer. It's a difference. I can write songs to music, but I can write a story. I can see ideas spark in me.
If you see a person who's insecure and covers it up, it can be quite a problem. But the person who is insecure and shows you is quite appealing. They give you just the courage to drop your defenses.
And if you look at all this academic work in the conferences and so on there's a constant theme that terrorism is extremely hard to define and we therefore have to have a deep thinking about it. And the reason it's hard to define is quite simple. It's hard to find a definition that includes what they do to us but excludes what we do to them. That's quite difficult. So it takes a global war on terrorism.
I find it quite hard to connect with the songs where I portray myself as this clumsy, adorable, love-struck man-child.
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