A Quote by Ben Wheatley
Lots of crime films are about work. Free Fire could have been about a company of plumbers doing pipe-fixing and stuff. But the plumbing film is not so exciting.
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Art is too popular. If plumbing was as popular as art is we would have amateur plumbers running around brandishing wrenches and Roto-Rooters, climbing in and out of sewers and writing gibberish about pipe systems. And none of our our toilets would work.
The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture “This is a pipe”, I'd have been lying!
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
My biggest goal was - I thought, God, if I could just be a rep company member at the Arena Stage in Washington, D. C. and get to play a bunch of parts in a year! And now in my work everything is about promoting it. It's not about the doing of it! Everything is: You have to sell it, and they ask you to tweet about it or do photo shoots, even for the smallest job. There's an imbalance in terms of what is actually gratifying. The stuff that is gratifying is, like I said, the day of work and the doing of it.
As security or firewall administrators, we've got basically the same concerns [as plumbers]: the size of the pipe, the contents of the pipe, making sure the correct traffic is in the correct pipes, and keeping the pipes from splitting and leaking all over the place. Of course, like plumbers, when the pipes do leak, we're the ones responsible for cleaning up the mess, and we're the ones who come up smelling awful.
I did stuff for three years in Kabul that I found exciting, and a lot of that was fixing roofs, talking about sewage installation.
I said I would do all the films about the commercials, and the films about ball-bearings and Ford tractors and so on, if once a year they gave me money for a free film.
I've been on lots of film sets. I've produced films and written films and been around, so it wasn't my first rodeo in terms of that stuff. Nothing particularly surprised me, I have to say. I came in and I enjoyed the first day and I enjoyed the last day.
There have been innumerable films about film-making, but Otto e Mezzo was a film about the processes of thinking about making a film -- certainly the most enjoyable part of any cinema creation.
One thing my fans might not know about me is that when I graduated from college I went to work for a plumbing company, and so I was pretty much a full time plumber.
When I'm actually making a film and trying to find solutions, I like to watch making-of documentaries about huge films, like 'Gladiator.' That couldn't be more apart from what I'm doing, but you see Ridley Scott facing huge problems and fixing them.
I always feel that crime films are about capitalism because it is a genre where it is perfectly acceptable for all the characters to be motivated by the desire for money. In some ways, the crime film is the most honest American film because it portrays Americans as I experience a lot of them, in Hollywood, as being very concerned with money.
I am not interested in churning out a certain number of films every year. For me, it's about the quality of work. I think it's about following your instincts and doing a film for the right reason.
Certainly, Continental has taken advantage of pipe and sponsored pipeline projects where we could. As a historic shipper, we have put a lot of oil on pipe. We have over half of our oil on pipe coming out of the Bakken. We feel good about that.
'Strong Island' is not your typical true-crime film. It's not actually about the uncovering of evidence or following leads that hadn't been seen before or any of that stuff.
When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.
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