A Quote by Benedict Cumberbatch
I still find to give an interview to be difficult, as any person who deals with the press will tell you. That's why it's nice, with this one, to talk to a friend. But sometimes with a coffee and a friendly smile, I suddenly start talking without thinking about how it's going to be read.
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I don't parade my family out for display, which is the way it will stay. Yet I have a reputation for being cooperative with the press. That's because when I do give an interview, I'm willing to tell the truth about what I do for a living and how goofy it is sometimes - and how volatile it can also be.
Do the other kids make fun of you? For how you talk?' 'Sometimes.' 'So why don't you do something about it? You could learn to talk differently, you know.' But this is my voice. How would you be able to tell when I was talking?
I give the ball some sweet talk. I tell it that this isn't going to hurt a bit. I'm a friend and all I'm going to do is give it a nice little ride.
Some people who experience a religious conversion seem to undergo a personality change. They can be quite congenial and easygoing when talking about mundane things, but when they start talking about their faith, their demeanor changes. Their tone of voice modifies, their smile becomes tense and they become defensive when questioned about their evidence for belief. It becomes difficult to have a friendly conversation with them.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
I usually need to read emails to actually wake up. I'll read these and Twitter, and my brain will start to get going about what a narcissistic monster I am. I read on Twitter who is talking about me. I'll also start making jokes for the day based on what I read on Twitter.
Be friendly first. Service starts with a friendly person with a friendly smile, who offers friendly words first. How friendly are you?
I think younger artists are often "students" of the rock press. They have their favorite rock star interviews and know how they're supposed to act. But I find that time helps a lot. If you have enough time you can sort of break that down just by being a normal person. And then they realize the interview isn't just a performance, and they can actually speak to you. I often try to get people into a space where they're not over-thinking what they're talking about and instead they're speaking emotionally, from within their experience.
I think when you start talking about selling a company or a company wants to buy you, then you start thinking about how much money you're going to have. That's insidious because it saps your will to continue.
I'm a physical actor in that I start with a physical sketch of the character. I find it easier to find inspiration from the outside in. If I find the character's tensions and the way he carries himself or looks, that's going to affect how I talk. So that's how I start to create that person.
I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.
Small groups have always been the locus of change. What they do, in a sometimes offhand way, is constellate new cultural forms and give birth to the unexpected. Sometimes the talk is the thing, sometimes the feeling. When we risk talking about something we really care about it's infectious. Like any good infection, such talk can produce heat, a fever of intellectual excitement.
You can talk yourself out of doing something if you start to think about, "How would this person see it, or that person see it?" So sometimes it's allowing myself to be in it and not talking myself out of it.
I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket.
I'm talking about the '60s really. People go interview these guys and ask them, "Do you still think music can change the world?" I mean, go talk to Graham Nash about that. What's he going to tell you? Ask David Crosby. These guys are still out there. They're playing their hits at Staples Center and those are really valuable songs. I'm talking about a couple of the guys who got knee-deep into really believing music had a great service beyond radio. I believe it did. And I think a lot of those songs are great.
Felicity," Mrs. Featherington interurupted, "why don't you tell Mr. Brdgerton about your watercolors?" For the life of him, Colin couldn't imagine a less interesting topic (except maybe for Phillipa's watercolors), but he nonetheless turned to the youngest Featherington with a friendly smile and asked, "And how are your watercolors?" But Felicity, bless her heart, gave him a rather friendly smile herself and said nothing but, "I imagine they're fine, thank you.
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