A Quote by Bennett Miller
The silence of a room when someone enters with a gun is very different from the sound that room makes when empty.
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We put thirty spokes to make a wheel: But it is on the hole in the center that the use of the cart hinges. We make a vessel from a lump of clay; But it is the empty space within the vessel that makes it useful. We make doors and windows for a room; But it is the empty spaces that make the room livable. Thus, while existence has advantages, It is the emptiness that makes it useful.
[The Doctor, Capt. Jack and Rose are cornered by the empty children.] The Doctor: Go to your room! Go to your room! I mean it. I'm very, very angry with you. I'm very, very cross! GO! TO! YOUR! ROOM! [The children lurch away and obey him.] I'm really glad that worked. Those would have been terrible last words.
My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.
One of the things I learned very early on was that if you cast the show correctly, and if you've created the right energy in the room, the solution is also in the room. The solution doesn't necessarily come from someone, but if everybody is working in a very steadfast and rigorous way, then everything you're looking for is in the room.
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
One of the greatest attacks of the enemy is to make you busy, to make you hurried, to make you noisy, to make you distracted, to fill the people of God and the Church of God with so much noise and activity that there is no room for prayer. There is no room for being alone with God. There is no room for silence. There is no room for meditation.
There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.
Each of us carries a room within ourselves, waiting to be furnished and peopled, and if you listen closely, you may need to silence everything in your own room, you can hear the sounds of that other room inside your head.
I have my library separate from the family home, and every room is a different genre. The only room that I can guarantee I've read everything is the horror room.
There is an eternal conflict between the school-room and the bar-room. The school-room makes men, the bar-room destroys them.
I'd think the house was the source of great sadness or pressure. I knew it wasn't. I knew it was just where I lived. But I'd walk up the stairs and the second floor was just desolate. My old bedroom: empty. My old rehearsal room: empty. First floor studio: messy and empty. Middle room: broken gear everywhere.
Michael nodded tersely, eyeing a table across the room. It was empty. So empty. So joyfully, blessedly empty. He could picture himself a very happy man at that table. "Not feeling very conversational this evening, are we?" Colin asked, breaking into his (admittedly tame) fantasies.
Creativity is a mansion. If you're empty in one room, all you have to do is go out into the hallway and enter another room that's full.
Every woman who vacates a place in the teachers' ranks and enters an unusual line of work, does two excellent things: she makes room for someone waiting for a place and helps to open a new vocation for herself and other women.
When someone at peace and free from hurry enters a room, that person has a calming effect on everyone present.
I walk into a large white room. It's a dance studio in midtown Manhattan. The room is clean, virtually spotless if you don’t count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty.
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