A Quote by Bennett Miller
A film cannot make it into the culture without the support of critics.
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I have called Mr. Obama a bound man because he cannot win white support without bargaining and he cannot maintain minority support without playing the very identity politics that injure him with whites.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
If film critics could destroy a movie, Michael Bay and Adam Sandler would be working at Starbucks. If film critics could make a movie a hit, the Dardenne brothers would be courted by every studio in town.
I think the British industry is set up to support British film, if we make films that enable them to support it. If you don't make a commercial film, distributors can't get behind it. If they don't get behind it, the film doesn't do well.
I'm very disappointed in Barack Obama. I was very much in support of him in the beginning, but I cannot support war. I cannot support droning. I cannot support capitulating to the banks. I cannot support his caving in to Benjamin Netanyahu. I think many black people support him because they're so happy to have handsome black man in the White House. But it doesn't make me happy if that handsome black man in the White House is betraying all of our traditional values of peace, peoplehood, caring about strangers, feeding the hungry, and not bombing children.
Supporting actors are the support. You can't make a building without support. You can't buy dinner without support.
I'm very lucky to say that I worked with a lot of directors who cannot make a bad film. Like when Wim Wenders, they cannot make a bad film. They can make a film people don't like, or it's the wrong moment.
You cannot build a cultural identity without the images and sounds of your culture. Most countries in the third world - poor countries - they've lost their memories. Because everyday, films and cultural artifacts disappear. Film is also a memory - of the character and imagination of a culture.
I've never left my culture. I've left my country, but I've not left my culture. In the same way, you shouldn't be worried why George Lucas is going to the outer galaxy to make a movie. He's still making a film within his culture; he's making an American film. I go to Thailand or the Peruvian jungle, the Amazon, and I still make Bavarian films.
I'm very disappointed in Obama. I was very much in support of him in the beginning, but I cannot support war. I cannot support droning. I cannot support capitulating to the banks.
I am humbled at the fact that I always get great support and reviews from my critics, but it's the film that requires to be good enough for it to work.
Men and women do not easily submit to a power that does not weave itself into the texture of their daily existence - one reason why culture remains so politically vital. Civilisation cannot get on with culture, and it cannot get on without it.
A long and productive career in the world of films is bound to be checkered with success and failures. You cannot have one without the other; the only way not to make a flop is not to make a film.
There's no independent satisfaction without the success of the film itself. The feel that you have done the best you can to support the film.
I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
We have a conservative government that only thinks in terms of efficiency. They are spending a lot of money on military expenses and less and less on culture. My position is that culture can actually be economically viable. When I make a film, the film costs $3 million. Now, in Quebec, it grossed $3.5 million, which is a small film. It's not a comedy. There are no stars in it. And, it still grosses $3.5 million. That's just in Quebec.
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