A Quote by Bennett Miller
I like going into a scene knowing that the script isn't quite finished, that there's something that isn't really going to reveal itself until something spontaneously occurs.
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I think it's really important to not talk about how you're going to release something until you've finished it. People are like, "What are we going to make? What are we going to do with it?" and it's just like, "I don't know, we're just making music. Then we'll talk." You can't always write something you're happy with; you can't force it.
You often have a great director who's like, "Well, actually I don't even want to reveal you until the end of this scene" or something like that and it totally changes everything that you thought it was going to be.
When I get a script, I try to create something and where we're going to go with a scene, because I don't know what we're going to see ahead, which is really cool.
If somebody does something Mr. Trump doesn't like, I do everything in my power to resolve it to Mr. Trump's benefit. If you do something wrong, I'm going to come at you, grab you by the neck and I'm not going to let go until I'm finished.
When people say it's a funny thing about them, you will probably be able to control your hysterics. They are only getting ready to announce the shattering fact that they don't like something. And it's not going to be something that's really quite awful, like suttee or apartheid; it's going to be something small.
You never quite know what you're going to come back to and figure out how to make it work. You never quite know where that desire to finish something, or return to something in a fresh way, is going to come from. Every time I finished a film and went back and looked at it, I had changed as a person.
With screenplays and teleplays, they are mapped, really, in the blueprint of a finished product, which is something you're going to watch on a screen. But a book is an end to itself, really.
But for me, you also have to be conscious of what is going to play. And that includes playing with. Sometimes it's just a vibe. It's what's going to make this scene work. And sometimes there may be something that restricts you that has to do with something that maybe is historically accurate. And then you have to weigh that decision and give up something for a scene to work.
Music is like color or acting or whatever. It's really something I think about from the beginning. Not that I always know exactly what I'm going to use, but I don't see it as something like, "Let's find some songs now!" after we have a finished film.
I knew David Lynch going to television was going to be something. It was either going to not work, nobody was going to get it and it would disappear, or it was going to be something special and really stand out.
I don't think that any scene [in Pineapple Express] is word for word how you'd find it in the script. Some of it was much more loose than others. The last scene with me, Danny [McBride] and James [Franko] in the diner - there was never even a script for that scene. Usually we write something, but for that scene we literally wrote nothing.
Your personal power is not something that is going to reveal itself at some later date. Your power is a result of your decision to reveal it. You are powerful in whatever moment you choose to be.
We imagine what this country is, but quite clearly, this country is a mystery. I mean, one of the reasons I did the election ads is, I thought I could learn something. Like, what the hell is going on? I think anybody - particularly a person of leftist persuasion such as myself - who stops and thinks even for a moment, realizes that something strange is going on and we don't quite get it.
Well, the truth is that we are all mystical and that there is something going on that can't be explained. Outside of the day-to-day stuff like getting up going to work, we all have something going on within us, and we all know that there is something going on - we're spiritual creatures and we are very powerful.
If it comes as a constant surprise each and every time something unexpected occurs, you're not only going to be miserable whenever you attempt something big, you're going to have a much harder time accepting it and moving on to attempts two, three, and four.
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.
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