A Quote by Bennett Miller
I think when an actor feels like they're being watched with great sensitivity and a subtle eye and a nose for truthfulness, that has some effect.
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It's important for an actor to feel like they're really being watched and to receive feedback and encouragement about the aspects of what they're doing that feels truthful - and also to raise awareness when they might be resorting to habits and tricks, which every actor has.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
An actor's life is abnormal! It feels like I'm being watched all the time, whether I'm at a restaurant, gym, or anywhere. I sometimes feel I don't want to be looked at.
All I can start with is what moves me and feels like a great challenge as an actor and I think is saying something unusual or irreverent or human - honest in some way.
After directing the first film it feels kind of tricky being back to being in front of the camera, because I've always got one eye over there, kind of thinking of what they are doing, and how the shot is being composed. I think it takes a couple of films to just get back to just being an actor.
There is no violent surface indication of the ecstasy which great thinkers alone enjoy. There is nothing dramatic about it, but there is some subtle light in the eye of the inspired one, or some even more subtle quiet emanation which surrounds the inspired thinker, which tells you that you are in the presence of one who has bridged the gap which separates the mundane world from the world of spirit.
I think there are shades of political songs; some are more subtle and can be more effective for being subtle, for being more metaphorical. I've written a lot of songs like that, where it's not really clear if it's a war song or a relationship song. The metaphor can be the most powerful thing of all, but sometimes you have to speak more clearly to more people, and I think this is one of those times.
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
I have a great sensitivity to kids. I have a great sensitivity to the people that fall between the cracks.
You have no sensitivity that your soul shall leave in the subtle body and that your subtle body is as sophisticated as anything in the universe can be. So unless you produce in yourself elegance, grace, sophisticatedness in your mind, manners and attitude, and unless you come from the infinite altitude, and ascend to that altitude, you cannot descend in love. The higher is your being, the deeper is the love.
I was completely naive about the business of being an actor. My family didn't go to the theater or to the movies. We watched television like every 1960s small-town American family, and I certainly never thought about being on TV. I thought I was going to be a classical actor in the grand tradition.
When I do my own makeup, I limit my options: I have one Mac eye colour, a neutral shade with a bit of shimmer, plus eyeliner and subtle mascara. I wear a little foundation and put Laura Mercier concealer around my nose, underneath my eyes and on any dark spots.
So often, in my life, when you play a joke on another actor, you say, 'Hello? Steven Spielberg? It's for you.' What's it feel like? It's bizarre. He feels like he's a friend. He feels like he's some kid in the neighborhood who has a camera and makes films, now and then, and says, 'Would you come 'round and play?' It doesn't feel grand at all.
Sahaja Yoga is a very subtle happening within us. It's a very subtle happening. And this subtler happening gives you sensitivity to divine joy.
'Welcome to the Dollhouse' is great. Even though it's about a girl in middle school, to me, that feels like the most honest reflection of what being a kid around that age feels like.
I feel that being an actor is a front-row seat into seeing how everybody else makes their movies. Basically, being in the trenches for ten years is like a college-level course in filmmaking if not more. It feels like every director I work with and every set that I visit as an actor, I see someone else's definition of filmmaking.
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