A Quote by Bennett Miller

Filmmaking requires the participation and cooperation of many people. It's unrealistic to expect that you're not going to be challenged by unforeseeable forces from every direction.
Global actions require local and national participation. International cooperation and action requires community perspectives and legitimacy if it is to be effective.
Expect your every need to be met, expect the answer to every problem, expect abundance on every level, expect to grow spiritually. You are not living by human laws. Expect miracles and see them take place. Hold ever before you the thought of prosperity and abundance and know that doing so sets in motion forces that will bring it into being.
In my humble opinion, non-cooperation with evil is as much a duty as is cooperation with good. But in the past, non-cooperation has been deliberately expressed in violence to the evildoer. I am endeavoring to show my countrymen that violent non-cooperation only multiplies evil and that evil can only be sustained by violence. Withdrawal of support of evil requires complete abstention from violence. Non-violence implies voluntary submission to the penalty for non-cooperation with evil.
It seems to me to be kind of inescapable that one has to be interested in the issue of gender and gender equality. I don?t really expect any credit for going in that direction. It?s the only natural direction to go in. Why is it that some people don?t see that as so patently obvious as it should be?
What I do like is hiking. And that's what filmmaking is. It's a hike. It's challenging and exhausting, and you don't know what the terrain is going to be or necessarily even which direction you're going in... but it sure is beautiful.
There are perhaps opportunities for greater political cooperation, at least more cooperation than exists now. But there can be no cooperation in the field because every situation is different
The practice of architecture not only requires participation in the profession but it also requires civic engagement.
Experience has taught me that advertisers get the best results when they pay their agency a flat fee. It is unrealistic to expect your agency to be impartial when its vested interest lies wholly in the direction of increasing your commissionable advertising.
The popularity of disaster movies expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.
So much is predicated on wins and losses to enjoy life. Every single person loses every week, so it is unrealistic to say you shouldn't enjoy the process. They are unrealistic expectations.
Expect forces to interfere with you and expect to conquer them all, if you are serious about the study. Just as there are powers that interfere with those who seek enlightenment, there are forces that will help.
When you're in the middle of an interview, it's so easy to stop listening and think about the next question you're going to ask. You can miss that golden moment which might take you in a different direction or a direction you didn't expect.
As you get older, you tend to be a little less patient with people - people who are not prepared, people who have unrealistic expectations, people who make unrealistic demands, people who think they're more special than other people.
The growth in emissions is coming from the developing world. So if we are going to get out of this, it's going to come out of a process of cooperation and collaboration. That's why it really requires a paradigm shift.
The experience of oppressed people is that the living of one’s life is confined and shaped by forces and barriers which are not accidental or occasional and hence avoidable, but are systematically related to each other in such a way as to catch one between and among them and restrict or penalize motion in any direction. It is the experience of being caged in: all avenues, in every direction, are blocked or booby trapped.
I'm going in a really weird I-don't-know-where direction, but I prefer anything [different] from how standardized filmmaking has become.
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