A Quote by Bennett Miller
My nature is to try and look past apparent truths, to pull back layers and understand the psychological motives behind phenomena.
Related Quotes
I like to have something that I can challenge common-sense notions about, challenge the apparent truths, and really look past the many faces of a thing to see what's behind it.
With my work, I try to delve into the several layers that compose the edifice of history, to take the shadows cast by this model of uniform development to try and understand what lies behind it.
People, I have discovered, are layers and layers of secrets. You believe you know them, that you understand them, but their motives are always hidden from you, buried in their own hearts. You will never know them, but sometimes you decide to trust them.
I think truth is a layered phenomenon. There are many truths that accumulate and build up. I am trying to peel back and explore these rich layers of truth. All truths are difficult to reach.
In my head I try and reach back, through the fence, past the smoke; I try and grab his hand and pull. Alex, come back. There is nothing to do but sink. The hours close around me, encase me completely, like a tomb.
Hillbillies learn from an early age to deal with uncomfortable truths by avoiding them or by pretending better truths exist. This tendency might make for psychological resilience, but it also makes it hard for Appalachians to look at themselves honestly.
The horror of Gandhi's murder lies not in the political motives behind it or in its consequences for Indian policy or for the future of non-violence; the horror lies simply in the fact that any man could look into the face of this extraordinary person and deliberately pull a trigger.
We must learn to recognize nature's truths even though we don't understand them, for some of those truths may still be beyond the ability of the human mind to comprehend. What we need is a compound prescription of humility, imagination, devotion to the truth and, above all, confidence in the eternal wisdom of nature.
The future is there," Cayce hears herself say, "looking back at us. Trying to make sense of the fiction we will have become. And from where they are, the past behind us will look nothing at all like the past we imagine behind us now.
I get to play a 58-year-old time-traveling assassin. The role had a lot of layers to it that I knew would be fun to break down and figure out the motives behind.
I've got a stomach now as well as a behind. And I mean - well, you can't pull it in both ways, can you? ... I've made it a rule to pull in my stomach and let my behind look after itself.
The past is a rich resource on which we can draw in order to make decisions for the future, but it does not dictate our choices. We should look back at the past and select what is good, and leave behind what is bad.
I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
If you behind me, I'm not going to look back and try and figure out what you're doing behind me.
The nature of the Absolute is neither perceptible nor imperceptible; and with phenomena it is just the same. But to one who has discovered his real nature, how can there be anywhere or anything separate from it?... ...Therefore it is said: 'The perception of a phenomenon IS the perception of the Universal Nature, since phenomena and Mind are one and the same.'
There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.
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