A Quote by Bernadette Roberts

When there is no longer a cyclone, there is no longer an eye. So the storms, crises and sufferings of life are a way of finding the eye. — © Bernadette Roberts
When there is no longer a cyclone, there is no longer an eye. So the storms, crises and sufferings of life are a way of finding the eye.

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I'm at the eye doctor. I'm always at the eye doctor. It's like this is my profession. I am no longer a writer, I'm now an optomoligical patient. By the way, this job doesn't pay well.
I apologize to all of my colleagues who've been writing up storms, but as a culture we've essentially put ourselves into a position where Mark Zuckerberg can say, "Privacy as a social norm is no longer relevant," and a lot of people don't blink an eye.
Words are substance strange. Speak one and the air ripples into another's ears. Write one and the eye laps it up. But the sense transmutes, and the spoken word winds through the ear's labyrinth into a sense that is no longer the nerve's realm. The written word unfolds behind the eye into the world, world's image, and the imagination sees as the eye cannot see-thoughtfully.
Street art is designed to be seen out of the corner of your eye, on the hoof. Art that's made for galleries is made to be looked at in a more static way for a longer period of time and may not be so striking immediately, but perhaps resonates for a longer period.
The common eye sees only the outside of things, and judges by that, but the seeing eye pierces through and reads the heart and the soul, finding there capacities which the outside didn't indicate or promise, and which the other kind of eye couldn't detect.
Painting is a matter of finding the right balance between consoling and reassuring the eye and challenging and disturbing the eye.
A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.
Ahab cast a covetous eye at Naboth's vineyard, David a lustful eye at Bathsheba. The eye is the pulse of the soul; as physicians judge of the heart by the pulse, so we by the eye; a rolling eye, a roving heart. The good eye keeps minute time, and strikes when it should; the lustful, crochet-time, and so puts all out of tune.
Living longer is about loving longer, learning longer, teaching longer, connecting longer, if we figure out the supports and infrastructure to make all of that possible — and it is completely within reach.
Often there are players who have only football as a way of expressing themselves and never develop other interests. And when they no longer play football, they no longer do anything; they no longer exist, or rather they have the sensation of no longer existing.
I have seen and endured the sufferings of the troops, and I can no longer be a party to prolong these sufferings for ends which I believe to be evil and unjust.
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self - himself - he cannot know it, because he is no longer there to know it.
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a self—himself—he cannot know it, because he is no longer there to know it.
The artist does not see both eyes alike. There is always 'the eye' and the other eye... It adds life and plasticity to the drawing if the eye in the light is darker than the one in the shadow. It gives the head vividness.
I can act with either eye, but you've got to be twice as good as an actor to act with one eye. You need to put all your emotions just through one eye and really punch it out of that eye. I found it quite difficult to do at first, and then I found a technique that allowed me to act with one eye, which I patented.
If you are finding that you can stop thought longer and longer, I would say your life is bringing power into your being. You are gaining things out from that field behind the house.
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