A Quote by Bernard Bailyn

The categories within which the colonists thought about the social foundations of politics were inheritances from classical antiquity, reshaped by seventeenth century English thought.
We should have scant notion of the gardens of these New England colonists in the seventeenth century were it not for a cheerful traveller named John Josselyn, a man of everyday tastes and much inquisitiveness, and the pleasing literary style which comes from directness, and an absence of self-consciousness.
The way people really think is not adequately analyzed by the universal categories of logic. Between social history and formal analyses of thought there is a path, a lane - maybe very narrow - which is the path of the historian of thought.
The young specialist in English Lit, ...lectured me severely on the fact that in every century people have thought they understood the Universe at last, and in every century they were proved to be wrong. It follows that the one thing we can say about our modern "knowledge" is that it is wrong.
The strong bond of sisterhood was a famous trait in classical art and literature about Amazons. But it was modern people who interpreted that as a sexual preference for women. That started in the 20th century. The Russian poet Marina Tsvetaeva declared that Amazons were symbolic of lesbianism in antiquity.
Most Americans haven't had my happy experience of living for thirteen years in a seventeenth-century house, since most of America lacks seventeenth-century houses.
Shakespeare was an intellectual ocean, whose waves touched all the shores of thought; within which were all the tides and waves of destiny and will; over which swept all the storms of fate, ambition and revenge; upon which fell the gloom and darkness of despair and death and all the sunlight of content and love, and within which was the inverted sky lit with the eternal stars -- an intellectual ocean -- toward which all rivers ran, and from which now the isles and continents of thought receive their dew and rain.
When the war started, religion and superstition (whatever the difference is) permeated the lives of ordinary soldiers, who lived in a thought world not too far removed from the seventeenth century.
Thought as such… is an act of negation, of resistance to that which is forced upon it; this is what thought has inherited from its archetype, the relation between labor and material. Today, when ideologues tend more than ever to encourage thought to be positive, they cleverly note that positivity runs precisely counter to thought, and that it takes friendly persuasion by social authority to accustom thought to positivity.
The discussions of every age are filled with the issues on which its leading schools of thought differ. But the general intellectual atmosphere of the time is always determined by the views on which the opposing schools agree. They become the unspoken presuppositions of all thought, and common and unquestioningly accepted foundations on which all discussion proceeds.
I'd studied 16th century science and magic. I thought it was strange that people were interested in the same kinds of things my research was about. The more I thought about it, the more intriguing it became and pretty soon I was writing a novel about a reluctant witch and a 1500-year-old vampire.
When you start witnessing something without thought, there is no obstruction for absorbing the knowledge about that thing because there is no thought. It's complete absorption which takes place. And then it manifests. This is how the Divine Power works within us. So with our gravity, what we do is to touch that depth within us, which can carry the Divine Power and manifest.
The apartments of the rich are cabinets of curiosities: a conglomeration of classical antiquity, gothic, renaissance; Louis XIII... Something from every century but our own, a predicament that has arisen in no other period... so that we seem to be subsisting on the ruins of the past, as if the end of the world were near.
When we were making it [Star Wars], none of the effects were in. So the first time, I thought it was, you know, that - I mean, we were surrounded by English crew members that could hardly keep themselves together. They were, "Here comes the guy in the dog suit." They made fun of us, which was OK. But the first time I was sitting in a theater, and I saw all the effects in, and the big ship flew over the audience, and the sound rumbled, I pretty much thought we were close to home.
Redheads were particularly persecuted during the European witch trials of the fifteenth, sixteenth and seventeenth centuries. The colour was associated with the devil, and the pale skin which most redheads have was thought unnatural and deathly.
In graduate school, I decide to write my doctoral thesis on how Italian architecture influenced English playwrights of the seventeenth century. I wonder why certain playwrights decided to set their tragedies, written in English, in Italian palaces.
If you look at social movements in Latin America, there are spaces where alternative politics are thought about on the ground, at the grassroots level, but they are always under threat. The problem in North Africa and the Middle East is the politics of oil. It means that the spaces for truly grassroots politics, involving those masses of people excluded from high politics, are very quickly closed down. They are not really allowed any kind of autonomy to develop, and that seems to be the real problem, which gets us back to the neo-colonial relationship.
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