A Quote by Bernard Tomic

You've always got to think about what you're doing and what the consequences are. Sometimes I don't think like that. — © Bernard Tomic
You've always got to think about what you're doing and what the consequences are. Sometimes I don't think like that.
I never looked at the consequences of missing a big shot... when you think about the consequences you always think of a negative result.
Everybody's a multifaceted, emotional, living being, I think. Sometimes it's fun to goof around, sometimes you've got to think about things, sometimes you've got to be strange, and then you've got to be jiggly. That's just what being a human's all about.
I think you only watch stuff you've done once because I don't think it's that beneficial to you. I think it's important to sometimes be like, 'What's that thing I'm doing with my face? I didn't think I was doing that.'
The best crime stories are always about the crime and its consequences - you know, 'Crime And Punishment' is the classic. Where you have the crime, and its consequences are the story, but considering the crime and the consequences makes you think about the society in which the crime takes place, if you see what I mean.
I feel like when you do Twitter, sometimes you just have an idea and you fire it off and don't really think too hard about the consequences of that. I think my reputation there is as a comedian and not someone to be taken seriously. But I like the idea of getting out false information and just muddying up the story and making it as confusing and, you know, schizophrenic as possible.
I think stolen bases are always a byproduct of doing other things well. Getting on base - you've got to get on base a lot, obviously. And you've got to be in the right position and your teammates have got to help you out a little bit sometimes.
Just draw 'cause you love it, you know, I think that's why you should be doing it. You should always be doing art for the right reasons, um, and with the best intentions. Anything at all is completely possible and I think that's what I like about drawing. I think it's just really fun. You can do anything you want. And that's part of, like, what's really enjoyable about it... is kind of losing yourself in it.
There will always be a rule. There will be people who break the rules. There will be consequences. We fundamentally think these things will be true for a time. The question becomes, What are the consequences? Who enforces the consequences? What are the worst consequences?
I think we're great. I think we've still got it. And I think we've got something to give to people. And I think in times like this we can uplift people. We're doing it for ourselves, I'm not gonna lie. We wanted to announce our reunion the day after the riots, but it was important to play together before we announced it.
I might sound like a crazy person, but that's the way I pump myself up. You know how some people are just like 'I have to talk about it'? Sometimes I'll call my husband and we'll talk about it, sometimes I have to talk to myself in the mirror. So I start talking to myself: 'You got this. Don't think of this as Sports Illustrated, just think about this as the best swimsuit campaign you've done in your life. And just kill it and own it and don't put that pressure on yourself.'
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
Sometimes when you are trying not to think about something it keeps popping back in your head you can't help it you think about it and think about it and think about it until your brain feels like a squashed pea.
I think sometimes I'm more fond of doing the research for the character because you learn so much. Sometimes shooting is really difficult because you wake up early and you're always hurrying. And sometimes I don't know what I'm doing. I'm here and there.
The consequences for human welfare involved in questions like these are simply staggering: once one starts to think about them, it is hard to think about anything else.
Everybody says they want to win. But when you start talking about sacrifice and doing what's right for the team, it's like, 'Wait a minute, I didn't mean that. I want to win, but...' There's always a conjunction with that. It's never what you think it is. And it's always, like, your weakest point where you got to do it.
I really think that if there's any one enemy to human creativity, especially creative writing, its self-consciousness. And if you have one eye on the mirror to see how you're doing, you're not doing it as well as you can. Don't think about publishing, don't think about editors, don't think about marketplace.
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