A Quote by Bernard Tschumi

The ultimate pleasure of architecture lies in the most forbidden parts of the architectural act, where limits are perverted and prohibitions are transgressed.
The Crystal Cathedral is not an attempt to be an architectural ego-statement. It's probably the ultimate spiritual and psychological statement that could be made in architectural terms.
We need to witness our own limits transgressed, and some life pasturing freely where we never wander.
Walkers are 'practitioners of the city,' for the city is made to be walked. A city is a language, a repository of possibilities, and walking is the act of speaking that language, of selecting from those possibilities. Just as language limits what can be said, architecture limits where one can walk, but the walker invents other ways to go.
I think, you know, architecture should not just be something that follows up on events but be a leader of events ... by implementing an architectural action, you actually are making a transformation in the social fabric and in the political fabric. Architecture becomes an instigator.
My furniture is an exercise in architecture or architectural mood.
It was very definitely architectural. I was using the words on the page as some kind of equivalent of a physical model. But I never thought at that point that I wanted to move toward architecture. I wanted to move toward real space. Sure, that's probably another way of saying, I want to move toward architecture. But I didn't define real space in terms of architecture, then.
Taj Mahal was built up by the Mughal Emperor Shah Jahan, who wanted his beloved wife to be remembered by one and all, with help of architectural geniuses like Ustad Isa, Isa Mohammad Effendi and Puru of Persia. The result that came across was a fine piece of Mughal architecture, fused with Persian, Islamic, and Indian architectural styles; or is believed so by many.
Architecture is the constant fight between man and nature, the fight to overwhelm nature, to possess it. The first act of architecture is to put a stone on the ground. That act transforms a condition of nature into a condition of culture; it's a holy act.
I started to begin to be interested in architecture and design when I was 14 years old, which was pretty early in life. And then I would start to look at architectural magazines and I eventually went to the school of architecture too, but one of the things I learned very early is that an architect should be able to design anything from a spoon to the city.
For many years, I have lived uncomfortably with the belief that most planning and architectural design suffers for lack of real and basic purpose. The ultimate purpose, it seems to me, must be the improvement of mankind.
I carry with me from my male upbringing a sense that femininity is forbidden. So when I appear on YouTube with forty butterflies glued to my body and glitter all over my face, I have a sense that I'm getting away with something I'm not supposed to. I'm being decadent. I'm enjoying a forbidden pleasure. And that's fun, and it's funny.
Architecture is my first love, if you want to talk about what moves me... the ordering of space, the visual pleasure, architecture's power to construct our days and nights.
Architecture and architectural freedom are above all a social issue that must be seen from inside a political structure, not from outside it.
I believe that sensory pleasure should take precedence over intellectual pleasure in art and architecture.
It is not an individual act, architecture. You have to consider your client. Only out of that can you produce great architecture. You cannot work in the abstract
Beyond the limits there lies other limits.
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