A Quote by Bert Lahr

That was my one big Hollywood hit, but, in a way, it hurt my picture career. After that, I was typecast as a lion, and there just weren't many parts for lions. — © Bert Lahr
That was my one big Hollywood hit, but, in a way, it hurt my picture career. After that, I was typecast as a lion, and there just weren't many parts for lions.
After The Wizard Of Oz I was typecast as a lion, and there aren't all that many parts for lions.
In the middle of my third Hollywood picture The Magician, the earthquake hit Hollywood. Not the real earthquake. Just the talkies.
There just aren't many little guys who are good actors. They don't get the training; they don't go to RADA. There just aren't the parts for dwarfs, and if you like it or not, you're typecast as a dwarf.
I may not be a lion,but I am lions cub and I have lion's heart
Age is just a number. Unless, that is, you live in Hollywood, where there's this notion that if you haven't hit it big by your 20s, you may as well hit the road.
I got a lion on my back because I'm a Leo, and I also just love lions. But I wish I'd researched the artwork a little more. My little sister saw it and said, "Why do you have the Lion King on your back?"
I don't really worry about being typecast much. I mean, everyone in Hollywood is typecast to a degree.
I love watching the Serengeti, the way lions live. The only way the king lion loses his crown is by somebody physically defeating him.
This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.
I just finished my 62nd or my 63rd movie here, and you know, I do good ones, I do bad ones, I do big parts, I do small parts, I do cameos - but I've allowed myself a pat on the back, because I realized that I've been working in Hollywood now since 1973.
It was a confusion of ideas between him and one of the lions he was hunting in Kenya that had caused A. B. Spottsworth to make the obituary column. He thought the lion was dead, and the lion thought it wasn't.
Some people in Hollywood think I'm nuts with this bodybuilding stuff. They'll say, 'You're getting too big. You'll hurt your career.' But they don't understandthat high that comes from a workout, the challenge, and the personal victory.
Do you know how many ways love can hit you? So it makes you happy, or miserable? It makes you sick in the belly or hurt in the heart. It makes everything brighter and sharper, or it blurs all the edges. It makes you feel like a king or a fool. Every way love can hit you, it's hit me when it comes to you.
The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
...[D]ivision of labor, in my mind, is one of the dangers of work-based technology. Modern IT infrastructure allows us to break projects into very small, discrete parts and assign each person to do only one of the many parts. In so doing, companies run the risk of taking away employees' sense of the big picture, purpose, and sense of completion.
I was this Swedish kid who came over here to study engineering, but I got into movies, and suddenly I'm in this 'Rocky' picture with Sylvester Stallone. And then the movie comes out, and it's a big hit, and I'm famous. Like, world famous. I wasn't thinking of ruling Hollywood; I was thinking of just trying to make it to the next day, trying to figure out what the hell happened.
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