A Quote by Big E
One of the things that resonated with me is that 'Schoolhouse Rock' started in the 1970s, but there are so many people, regardless of age, who can still recite the jingles and know things about bills and laws because of that show.
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People have always asked me why I'm drawn to material about kids, and for me, it's - I remember being at that age and feeling completely and utterly powerless. You know, there's so many things you wanna do and so many things you're told you can't do.
If something I do now sounds like something I did in the past, it's because I played it. I can't help sounding like myself. That's going to happen. The things that I play on guitar that resonate with me are probably the same things that resonated with me when I started playing in Joy Division.
My movies are always being played on television, I'm very well known and all that stuff - I go all over the world, I have access to many things, many people, many places and it's wonderful. But now I'm at a point where...I thought it was time to show some of it, to show some of my feelings about things and what I preferred at the time. I prefer them still but not to the extent I did at the time.
I started to get so many letters from unlikely people; a single mum going, "I watch your show, I'm not into survival, but I hold down four jobs and I get it when you say it's about persistence and putting a positive attitude into things during difficult times." That for me was a great liberator to realize that the show isn't about me running around, jumping off stuff and flexing muscles, it's about inspiring people. That makes me really happy.
But obviously, things have changed in many ways since the '50s, when the show is started, in terms of sexuality, and how much access we have to images of it and information about it. But, the same problems always apply. It doesn't matter whether we know a lot more about sex now or if there's a lot more access to it. The same problems of intimacy, of dealing with other people, of connecting and being vulnerable with other people, which is what the show is ultimately about, still applies now, I think.
From the beginning, my songwriting was from writing in a journal; it was completely unfiltered. I don't know if I really meant to show everyone this side of me, but when I saw how people resonated to the things I was saying, some of the questions I was asking, I realized I was not alone.
I've always been in rock bands. I was in a rock band with my brother in high school. Then I was playing classical guitar recitals, and people said, 'You know, you can't really do both things.' My intuition told me they were wrong. Somehow, what was interesting about me was that I had those two things in my life.
I think people forget that when people lose Medicaid coverage, they still show up at the hospital when they have a chronic illness or a traumatic impact on their health. And those bills are paid by the hospital who then passes those costs on. They do not have a magic fairy paying the bills for people who show up without insurance. Those bills are passed on to all the people in our country that do have insurance. That's why this bill is not going to break the cycle of higher premiums - because we're going to have fewer people insured.
Tell me it's never been done. Because the only real laws in this world-the only things we really know-are the two postulates of relativity, the three laws of Newton, the four laws of thermodynamics, and Maxwell's equation-no, scratch that, the only things we really know are Maxwell's equations, the three laws of Newton, the two postulates of relativity, and the periodic table. That's all we know that's true. All the rest are man's laws
You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
Being a footballer is not just about wearing the shirt and playing football on the pitch. You have to be clean, you have to do right things, you have to show courage, you have to show many many things you know. I always say that you play the same way on the pitch as you do in life.
I absolutely love writing about the things that scare me, the things that keep me up at night. I don't quite know why. Perhaps because so many things do scare me, and this is my subconscious way of trying to exercise some control over things that go bump in the night!
I think as women, you know, if you are considered a pioneer in these things, you can get really distracted by these other things - you know, people's demands of you reflecting on your otherness. And for this white critic to say, "I don't understand why she doesn't do that" - and you're like, "It's because I'm running a show on a major network and I want the show to continue" - and to sort of guilt me.
Not to age myself, but I remember vividly 'Schoolhouse Rock!' and entrust my grammar to it.
Some of the old folk singers used to phrase things in an interesting way, and then, I got my style from seeing a lot of outdoor-type poets, who would recite their poetry. When you don't have a guitar, you recite things differently, and there used to be quite a few poets in the jazz clubs, who would recite with a different type of attitude.
There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.
