A Quote by Big E

I think when people see a genuine human, someone who is genuine in the way they try to come across - in a way they try to approach the world, I think it's allowed me to connect with fans.
I think the most important thing is to be yourself and be genuine and don't try to tell anybody else's story but your own. And if it comes from a genuine place, I think people can tell, and if it doesn't, I think people can tell, and I think that eventually it shows.
Any narrative, whether it's fiction or not, you have to approach it as though it really happened to you. I think that's the only way to get inside the characters and make the narrative work. It's a storytelling tradition, and I think to come off as genuine then you have to really approach it that way.
I'm trying to change the way people approach knowledge and information in general. I think that to try to own knowledge, to try to control whether people are allowed to use it, or to try to stop other people from sharing it, is sabotage.
I feel like when I try to fit in, it comes across as not genuine, and that is not good. I'd rather just do me and have people say, 'Oh. That's interesting,' than try to fit in.
I always want to stay true to who I am, and if people don't like that, then that's okay. I think fans appreciate when you're genuine and honest, and that's how I try to be through all of this.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
And because of the reunion I think we've got more energy and enthusiasm than we've ever had. And it's genuine. I think the fans can detect when you're genuine, when you love what you do, and we love to be there on stage. That's what we thrive on.
I don't believe that people are robots. I think you should try to get personal, try to put yourself in the film in a deep way, and try to give that to the viewer, even if some of them will not connect with that kind of universe and surreality.
I just like stuff that's raw, itself, real and genuine. I think that's the way art should be. That's the kind of stuff that people can connect to more.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
There might be lots of boring thoughts coming from someone else, but the way they come across, they would be mind blowing because they would come in such a way so foreign to me. I think I would mostly be surprised, but alarmed also. There will be something within each of us, despite our differences, in thought processes to connect us.
Usually we try to figure out what we think would make us happy, and then try to make those things happen. But happiness isn't circumstance-de pendent. There are people who have every reason in the world to be happy who aren't. There are people with genuine problems who are. The key to happiness is the decision to be happy.
I try to make a film that's very entertaining, very funny, but also gives you something to think about. And the strongest thing I have to offer is my point of view, to get across how I see the world in hopes that it can change the way other people see the world, hopefully for the better.
The only secret behind why SidNaaz is still a thing is because it is genuine. We shared a pure relationship. I think people connect to that. The way he adored and showered love on me, I really felt nice about it. We both had same sort of feelings for each other. It was very cute.
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
You need to try to find a way to humanize your villains. Genuine villains, in real life, still have mothers and daughters and sisters, and they fall in love. They don't walk around with a big sign saying, "Bad guy," on their head. They think they're good guys. If you can play that, I think it makes it more interesting.
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