A Quote by Bill Condon

There were moments on the set when the depth of the cast of 'Dreamgirls' was almost overwhelming to me. — © Bill Condon
There were moments on the set when the depth of the cast of 'Dreamgirls' was almost overwhelming to me.
Were it good To set the exact wealth of all our states All at one cast? to set so rich a main On the nice hazard of one doubtful hour? It were not good.
Being on a set for the first time is in general an overwhelming experience, and coming into 'Sharp Objects' was already nerve-wracking enough with the cast - it's just such a talented group of people and it'd be kind of strange if you weren't nervous.
From its inception by Michael Bennett, 'Dreamgirls' has always been an epic story with an ensemble cast. I didn't change that. The screen version remains, really, a group story.
Furman astounded me with his chess depth, a depth which he revealed easily and naturally, as if all he were doing was establishing well-known truths.
Our faith comes in moments . . . yet there is a depth in those brief moments which constrains us to ascribe more reality to them than to all other experiences.
'Dreamgirls' is special to me.
A fantasy novel set in something other than medieval Europe, featuring an almost entirely black cast, is considered risky.
There is a wide, yawning black infinity. In every direction, the extension is endless; the sensation of depth is overwhelming. And the darkness is immortal. Where light exists, it is pure, blazing, fierce; but light exists almost nowhere, and the blackness itself is also pure and blazing and fierce.
I remember one day, Ekta Kapoor came to the set and scolded me that you don't know how to act, why did we cast you'? She asked me to stay on the set till I learnt the technique of correct dialogue delivery. At that time I felt very humiliated.
My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very important to me.
I think I present an overwhelming case that these five justices were up to no good, and they deliberately set out to hand the election to George Bush.
I think probably the moments of failure have been when I didn't really understand that other people were around to actually help me. There were moments when I thought I had to solve everything on my own, and I didn't realize that I had resources.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter''s about butter carving in Iowa.
I just finished 'Butter' for Weinstein, a comedy with this incredible cast - Hugh Jackman, Olivia Wilde, Alicia Silverstone - all-star cast and it was a fun set to be on. I've gotten really lucky to get all these down-to-earth cast members. 'Butter' is about butter carving in Iowa.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
Every actor has their own process. For me, I really need to stay in the pocket. So, if I'm on set and I'm in character, I'm not thinking like a producer. If I'm on set and I'm not in character, wardrobe and make-up, and I'm just coming on set for the moments that I'm not shooting, then I'm able to be the producer.
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