A Quote by Bill Condon
I know a little more about Kinsey than I know about sex because that is his subject not mine.
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A contemporary or near-future book is much harder because you can't fake the facts. There are people alive who know much more than you do about the subject. You have to really have your research together - and of course no one can know everything about a topic.
I know more about sports than I know about any other subject, unfortunately. I'm embarrassed to admit that.
In your thirties, you're much more comfortable with sex. First of all, sex is something you've done more. You know you can have sex just to have sex; you can have sex with friends; you can have sex with people you love; you can have sex with people you don't like, but the sex is good. And you can joke about sex much more.
Sex may be a little more factual than love. You know whether it's good or bad. You know whether you liked it or not. You're not going to change your mind about it ten years later.
Distinguish open-minded people from closed-minded people. Open-minded people seek to learn by asking questions; they realize that what they know is little in relation to what there is to know and recognize that they might be wrong. Closed-minded people always tell you what they know, even if they know hardly anything about the subject being discussed. They are typically made uncomfortable by being around those who know a lot more about a subject, unlike open-minded people who are thrilled by such company.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that.
At sixty, I know little more about wisdom than I did at thirty, but I know a great deal more about folly.
Except physically, we know little more about Garbo than we know about Shakespeare.
Dream dictionaries are so disappointing. They're so limited, and I think they're just total bullshit. I really do. I don't know much about the Freudian theory of dreams; it's probably more interesting than your average hippie dream dictionary, but it's got to be a lot deeper than that. It can't all be about sex all the time, so I don't know if Freud is right either.
Oh, I usually don't know a whole lot about a subject when I begin; the process itself teaches me a lot as I go along. Usually I know enough about one narrow area of the subject to start myself going, and then everything - including a lot more research - follows from that.
People are talking about sex. They're talking about sex with their husbands. They're talking about sex with their girlfriends. They're talking about sex with their partners. And because of all of this communication, women are having much more intimate relationships, which is fantastic.
Basically, I'm a perpetual student. I start by finding a subject I really don't know very much, but that I'm curious about. I learn about it through books in a library, by doing interviews with people who know a lot about the subject, and by going out on my own and seeing for myself what's happening.
We live in a world of nuclear giants and ethical infants, in a world that has achieved brilliance without wisdom, power without conscience. We have solved the mystery of the atom and forgotten the lessons of the Sermon on the Mount. We know more about war than we know about peace, more about dying than we know about living.
[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.
...when I came back, I found Mom sobbing at the kitchen table...Then I asked her what had happened. 'Nothing,'she said. 'I was thinking about that man...I started thinking about...if he and his wife and their other child are okay, and I don't know. It just got to me.' 'I know,' I said, because I did know. Sometimes it's safer to cry about people you don't know than to think about people you really love.
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