A Quote by Bill Condon
But you really - I always think that a director has got to adapt to whatever the needs of the actor are. You know, so if you take someone like Eddie Murphy, who is not a big fan of rehearsal. You know he comes out of stand-up. He comes - it's all about capturing the moment - in the moment, you know.
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When I started comedy, I was a big Eddie Murphy fan. I thought if you did stand-up, you were supposed to know how to act, write, and host. I thought it was all one thing. That's why it doesn't feel like I'm transitioning to acting: because in my stand-up, I do characters all the time.
Still. Smokers out there, you know what I'm talking about. That moment, after you've had a huge meal, say at Thanksgiving, when you step outside in the cold, light up a cigarette and take a deep inhale ... that's about the best moment in the world, you know? All the smokers out there, you know that feeling. Sometimes, smoking is fantastic.
I don't know - I feel like someone would think of me, or anyone in my family, as unappreciative of a moment, and I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that. I like to go outside at night by myself and look at the sky and just appreciate it. I'm not that big of a weirdo, but - occasionally.
I don't know how I would react to the casting couch. I'm sure that at that moment, you won't really know what to do. Whatever you do at that moment is instinctive.
What makes me laugh is hearing the stuff about my son or the stuff about my mom. I was a big fan of Bill Cosby, Eddie Murphy; they talked a lot about their moms and their kids. Those are the things that inspired me to do stand-up.
The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
I sit down and watch videos. I take notes. That's when that inspiration comes - the moment that makes sense of my profession. The instant I know, for sure, that I've got it. I know how to win. It's the moment that my job becomes truly meaningful.
I don't really look at stats or whatever. You see them on the big screen. But other than that, I don't pay too much attention to it. I did know about my dad's home run total. Other than that, I don't like to know. It's pointless. Whether you know or don't know, you don't want to think about it. You just want to go out and play the game.
When I'm in a session with someone I don't know, I like hanging out for a moment and talking and seeing if we can find some similarities in whatever conversation we're having. The best thing is when you just go for it - just do something that feels good and makes you feel free in the moment.
To act out something or take chances in the performance is one thing. But in terms of a camera, whatever's captured is captured so that's a little more daunting. You know you can't go back next week and fix it. Whereas in a live audience you know it's so in the moment and you just go with what's happening. First of all you never have to see it again so you don't know if you were really fulfilling it or not.
One of the significant facts about the moment of birth is that it is an unconscious moment. No one ever knows when he is being born that the event is actually taking place, and sometimes we don't find out about it until quite a long time afterward. Sometimes, we never do really find out that we have been born. So frequently, we don't know why we were born; we don't know where we came from; we don't know what the purpose of life is; nor do we understand the possibilities of our godly destiny.
As an actor, I know immediately if I'm saying a word that doesn't feel right coming out of my mouth, and I know how to change it. But as a director watching something, or even as a writer reading a script, sometimes it's not always clear what needs to be fixed.
To me, there were comedies that should go up for Oscars. I think Eddie Murphy in 'The Nutty Professor' was one of the greatest acting performances of all time, but it'd never be recognized that way. They always go for De Niro and Pacino, but Eddie Murphy played seven different people!
I think it's still kind of weird to memorize a line, because you're supposed to 'be' this person, you know? So then its like, if I'm really this person, how can I be in the moment if I know there's just one line I'm supposed to say? It doesn't feel natural. I always just kind of want to say whatever comes up.
It's always a thrilling experience to go into a place that offers you a lot of choice. You know it's like it reminds you of when you're a kid and you go to the amusement park and whether it be Disneyworld or Six Flags you know that thrilling moment when you first enter and you know you've got all these possibilities for the day and it's really a... it's a wonderful feeling.
I kind of end up getting caught up in whatever the rhythm of the movie is and how open the director is to changing things in the moment or finding it in rehearsal.
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