A Quote by Bill Condon
In Hollywood through the 50s, there were black, English, and Middle European housekeepers and maids.
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I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
Coming from the '50s, things were very violent. We were still being lynched. If I drove down through the South with my mother, I might not make it through one state without being bullied or harassed. I feel like unless you've been black for a week, you don't know.
The majority of Latin actresses in Hollywood were always playing either spitfires or maids. Now here is a woman who comes in and does leads opposite white people and black people and other Spanish people, and she's comfortable in her skin? Gasp! How dare she?
Historical grammar is a study of how, say, modern English developed from Middle English, and how that developed from Early and Old English, and how that developed from Germanic, and that developed from what's called Proto-Indo-European, a source system that nobody speaks, so you have to try to reconstruct it.
I played several maids in my career. I was tired of the maid after 'Far From Heaven.' I said, no more maids. Until I realized how difficult it was to get a role other than a maid, sometimes, in Hollywood, and sometimes you have to choose your battles, for lack of a better term.
I grew up looking at... going to the movies a lot, as much as they'd let you. I grew up in Manchester in the north of England in the '40s and '50s. I saw a lot of movies. They were all Hollywood and British movies. I didn't see a film that wasn't in English until I was 17 when I went to London to be a student.
When you think of the later '50s and 'Far From Heaven' and Eisenhower and Sirk, you think of that Hollywood panache and gloss to American middle-class life.
If you asked a baseball pitcher from the '50s what a middle reliever was, he'd laugh at you. In the '50s, everyone pitched complete games.
Black English is simpler than standard English in some ways; for example, it often gets by with just 'be' and drops 'am,' 'is,' and 'are.' That's because black English arose when adult African slaves learned the language.
So in Jamaica it is the aim of everybody to talk English, act English and look English. And that last specification is where the greatest difficulties arise. It is not so difficult to put a coat of European culture over African culture, but it is next to impossible to lay a European face over an African face in the same generation.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink-covered bathroom fixtures. I went Hollywood on the inside, and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses.
We're not in the middle east to bring sweetness and light to the whole world. That's nonsense. We're in the middle east because we and our European friends and our European non-friends depend on something that comes from the middle east, namely oil.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
Ebonics - or black English, as I prefer to call it - is one of a great many dialects of English. And so English comes in a great many varieties, and black English is one of them.
I was sold by Middlesbrough to Liverpool for a record fee between two English clubs and then won European Cups at Anfield, but I couldn't have been prepared for Rangers. I was a fan as a kid and attended a lot of European nights at Ibrox. I knew the club were big. But not how big.
I grew up watching a lot of Egyptian movies. My parents had this huge VHS collection of every Egyptian movie you can possibly imagine, and Egypt was kind of the Hollywood of the Middle East back in the '40s, '50s, and '60s. That was my first education in film.
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