A Quote by Bill Conti
In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.
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I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.
My career is a development and that's a big thing because when I decided this was what I wanted to do it wasn't like "I want to be a rapper, I love the words and the beats in my headphones" it was more I wanted to live for music. I love music and I just want to be around it.
Write what you want to write, write what people want to hear, and write about what they're going through, because if you could connect with the people who are listening to your music and coming to your concerts and coming to your meet and greets, then you're doing your job well.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
Since the big band started I'm just always swamped with movies and things. It certainly pays the bills and it's very satisfying, because I get to write all these big charts and all this crazy music.
You want to look back on your career and see what you've achieved, not just have a fancy car and a big house.
At the beginning, I didn't want to arrive at a big team like Ferrari and say: 'Ok, I want the car like this' - I just wanted to try and adapt to the car and then see if I wanted to make some changes.
Producers on Broadway approached us with an original script after relaunching ourselves as 'A Great Big World,' and wanted us to write the music. They asked us to make the music we would sing if we could, and so we can go a little crazier. We refer to it as 'our music on steroids.'
You want the people to know, but you don't really want the things behind it. I have everything I ever wanted. I never wanted a big house. I never wanted a Ferrari. I mean, as I proceeded with the music, I started liking Ferraris...
When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.
I don't find a lot of people actually saying things through music any longer. They are not trying to say anything with their music, they just want to make money with it. I think it's important to actually say something real, something meaningful, rather than just write some trash and try to sell it.
When I started publishing, I got offers to write for big magazines. But I would always say, "Well, it's not that I don't want to write for these big magazines, but you can't edit it."
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.
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