A Quote by Bill Conti
There's a higher place that I have no illusions about reaching. There's a sophistication and aesthetic about composers who only write only for the music's sake.
Related Quotes
There was this kind of dictatorship of the Darmstadt school, composers like Boulez and Stockhausen, who were very strict and orthodox. They would not allow other composers to write the music they wanted to write, and only a certain kind of music could be played.
If I had to make a choice between only writing about sports or only writing about music, I would probably write about music. I'm not sure why that is. There seems to be more to write about with music, just because it's more of a splintered thing. There's more subgenres. With sports, it's more objective in a way.
Compared with other Indian film composers, I only write about six movies a year. Others write up to 60.
What I always liked about Socrates was his insistence on questioning things for the sake of reaching some sort of clarity - even if it is only clarity about the gaps in our knowledge.
One road to happiness is to cultivate curiosity about everything. Not only about people but about subjects, not only about the arts but about history and foreign customs. Not only about countries and cities, but about plants and animals. Not only about lichened rocks and curious markings on the bark of trees, but about stars and atoms. Not only about your friends but about that strange labyrinth we inhabit which we call ourselves. Then, if we do that, we will never suffer a moment's boredom.
You’ll join me sooner than you know in a place with . . . no illusions, where the truth is the only architecture, the only color, the only sound--where that which we sense merely on occasion, and which takes us up and gives us the rare and beautiful glimpses of the things we truly love, flows in deep rivers and tumbles about like clouds in the sky.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
With recording, everything changed. The prospect of music being detachable from time and place meant that one could start to think of music as a part of one's furniture. It's an idea that many composers have felt reluctant about because it seemed to them to diminish the importance of music.
In some ways, it is difficult for contemporary composers to find an audience. Both men and women would love a culture that embraced and hungered for new music, as they did in the Classical period. I tell my students that they should just keep writing, write what pleases you, and don't worry about what people or critics may think about your music.
I'm not trying to say I'm this artist who is all artsy and that I only write music for myself, because I don't. I write music for other people to enjoy, so I think about if it'd be an idea someone else would like.
I always want to write erotic music... Not only about the love between men and women, but in a much more universal sense - about the sensuality of the mechanism of the universe... about life.
As plants take hold, not for the sake of staying, but only that they may climb higher, so it is with men. By every part of our nature we clasp things above us, one after another, not for the sake of remaining where we take hold, but that we may go higher.
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