A Quote by Bill Forsyth

I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself. — © Bill Forsyth
I went to the Glasgow Youth Theatre and they just let me in. But I was so shy that I was there for about six weeks without actually introducing myself.
Plus, I was about to spend six weeks with Christian Ozera. He was sarcastic, difficult, and made jokes about everything. Actually, he was a lot like me. It was going to be a long six weeks.
To perform at the Cardiff Millennium Centre was amazing in itself - the theatre is an incredible venue and it was great to be performing so close to home. For me the best experience was in Glasgow, where I got to play Dee Dee for two weeks! The audience sang along to every song with such enthusiasm you actually couldn't hear yourself singing! That was incredible!
I was a very shy kid. Very shy. But I started doing theatre when I was six years old, and that really changed something. My more playful side came out of me.
It's bloody annoying being shy. I'll spend a whole evening at a party asking everyone else about themselves. I'm not being self-deprecating; it's because I'm too shy to talk about myself. So people come away from the evening actually having learnt nothing about me.
Youth theatre isn't just about a precocious child that wants to sing and dance in front of people. It's for everyone; it's about a community, it's about being supported by your peer group. You learn skills - not just acting but all the other sides - working in the TV, film, and theatre industry.
I was gregarious as a kid, but I think the idea of actually getting to know people, I'm just shy. It sort of takes me a minute to want to sit down and talk about myself.
I literally designed and built the sets myself, and I kind of liked it. I always gave myself eight weeks to do that - sometimes even 10 - and the shooting took five or six weeks.
They gave me six weeks to do a campaign, and I did all of Haiti in six weeks.
Yeah, about sixteen to twenty weeks a year. For example, we can do America in six or seven weeks. You can do Europe in three weeks; England in two weeks. South America you could do in three weeks; Asia you could do in three weeks.
We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.
I studied theatre at Glasgow University and then was lucky enough to land a scholarship with a theatre group in Edinburgh.
You know, a lot of people have an instinct to downplay the fact that they are performing and be, like, 'There is no theatre here. This is just me playing the songs.' At some point I just realised how much better it could be if you weren't shy about being a performer.
I only went along to youth theatre with a friend when I was young to try to make myself a bit more sociable. But the whole thing was quite sore; it really hurt me trying to get into drama school. It was a world I knew nothing about - it was very middle class; all that usual stuff. But I was young, determined, and I just went for it.
I sat next to Robert Duvall at the lawyers' table for six weeks, and it's still probably the best six weeks of my life.
I did spend about 5 years in the Griffin Theatre Company in 1978 actually , and worked therefore about 5 years on a voluntary basis. This was very much as a amateur, doing things like mopping the floor, handling props, setting up scenery, etc. I never acted, and don't think I'm an actor, but those years in the theatre taught me a lot about professional theatre.
I just love performing so much, and I threw myself into every musical theater production that was going in my home town and at school. And then, I went to the National Youth Music Theatre, which was really a galvanizing experience for me when I was 17.
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