A Quote by Bill Mollison
Once you've said to yourself, "But I'm not using my physics in my house," or "I'm not using my ecology in my garden, I've never applied it to what I do," it's like something physical moves inside your brain. Suddenly you say, "If I did apply what I know to how I live, that would be miraculous!" Then the whole thing unrolls like one great carpet. Undo one knot, and the whole thing just rolls downhill.
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If I say any word, like, "Sit next to me." There is a chemistry inside of my brain and your brain that is figuring out what that means and turning that request into action. The brain is designed in a way to enable us to translate these strange interaction codes that people have with each other into something that can manifest a whole company's success. That's so extraordinary and that's what's going on. Everybody in the world needs to know that, in the whole planet. I just talked to somebody who studies cosmoses. She said, "Cosmoses need this."
It feels like every person is using their whole brain and heart to figure out these nearly impossible dilemmas about how we do our work, with our principles, in the current conditions. And it feels like the thing we know to be true about working collectively - that we have better ideas together than we do individually.
It definitely feels like I'm sort of reaching people through social media in the right kind of way. I feel like I've been late to the game with the whole Facebook/Twitter thing, because I always thought it was cheap. But, when I started really using it and trying to be myself when using it, which is the hardest thing. I feel like a lot of people are really responding to that.
The physical part was one thing. Whatever - I broke my face; that'll heal. The mental aspect was the biggest shock to the system. You just don't know how to experience stuff like that. You don't have any control over it, either. It's just how your body and brain reacts to something like that happening.
The first time I did a reading/signing thing at Cody's, the woman who did the introduction said something like that, and I wasn't the only one cringing. I remember looking out into the audience and seeing people's faces and people whispering to each other, and thinking like "Ugh, can we just cancel the whole thing? I can't go out there after she said that."
When I'm directing, I noticed I'm not using my subconscious at all. I'm literally using the whole front part of my brain all the time. When you walk on the set, every moment you have to be there because something's going on that requires attention.
I would hesitate to use the word 'success' in the way many people do. I don't know that I would apply it to what I've done as though I have now reached the ultimate goal. To me success is a continuing thing. It is growth and development. It is achieving one thing and using that as a stepping stone to achieve something else. Success comes as you have confidence in yourself. Self-confidence is built by succeeding, even if the success is small. It is the believing that makes it possible.
I teased Randy Orton because he started using my finish, the Angle Slam. I said, 'Hey, I don't mind you using it, but at least give it a name.' When he hits it, the announcers just say, 'Well, he just hit that... thing.'
Anyone can be crazy. That's usually just because there's something screwed up in your wiring, you know? But suicide is a whole different thing. I mean, how much do you have to hate yourself to want to just wipe yourself out?
For me the most important thing to do in a selfie is to have an opinion and to say something with the picture. Don't just take a picture of yourself like, 'Here I am.' It's what are you thinking? Are you happy? Are you angry? Do you like it? Do you not like it? Think an emotion and apply it to your eyes.
There's no man alive who has any answers. We all know that. It's like the guru trip. All a guru can do is direct you to something that you probably already know about yourself, something you might want to followup on. Apply the same thing to music and records. You might get something from a particular record that hits a nerve and something inside you. But that's your vision of it.
This is going to sound cheesy, but with acting there are so many tools. When you're on camera, you're using all of it. You're using the voice, you're using your body, you're using wardrobe, all of it, but it's funny, once you take all of those things away, you realize how much you rely on the physicality.
I would be lying to you if I said I wouldn't love for it [Equalizer] to become a franchise, I would love for it to become a hit and all that great stuff. Who knows-you just make the best movie you can make, you know it's like, eat the whole thing, one piece at a time. And then, we'll see what happens, I would love for it to be.
I think the best thing about my game that translates into the NBA is being able to create for others. Using open space and using pick and rolls.
If you've read 'Dark Ecology,' you'll know there's a whole thing about cats in it, more than once.
I think that the work that's left to be done - and I see the end in sight at this point - is to just let go and stop talking about it. It's definitely 'stop talking about the whole size thing.' I don't go to my girlfriend's house and say, 'Hey, I'm your big friend, let's talk about big things.' It's not a topic of conversation within my friend group - I'm ready for society, Hollywood, the press, magazines, everyone, to just catch up and say, 'These women are just like the women we've been using for so long. Let's just throw them into the mix and stop talking about it.'
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