A Quote by Bill Plympton

I think it reflects well on the state of animation that people are knowledgeable about it and love the fantasy and imagination that goes into it. — © Bill Plympton
I think it reflects well on the state of animation that people are knowledgeable about it and love the fantasy and imagination that goes into it.
What seems real to the mind can be as important as any material fact. We live by the spirit and the imagination as well as by our senses. Cartoon animation can give fantasy the same reality as those things we can touch and see and hear.
What I love most about animation is, it's a team sport, and everything we do is about pure imagination.
Fantasy is a product of thought, Imagination of sensibility. If the thinking, discursive mind turns to speculation, the result isFantasy; if, however, the sensitive, intuitive mind turns to speculation, the result is Imagination. Fantasy may be visionary, but it is cold and logical. Imagination is sensuous and instinctive. Both have form, but the form of Fantasy is analogous to Exposition, that of Imagination to Narrative.
Well, luckily with animation, fantasy is your friend.
Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.
I do enjoy a bit of the fantasy world that anime provides, but at the same time, I need the reality in it. I'm very much a stickler about the actual animation. I'm not into the cutesy, stereotypical animation with big eyes and a small chin. That annoys the hell out of me.
I'm the biggest fan of animation. I love the history of animation, I know it well.
It's important to look your best because it reflects how you feel about yourself. I really believe that what goes on the outside reflects what's on the inside.
The problem for most of us is that the cup has holes, so love goes out just as easily as it goes in. What happens when people are living in the unconditional state of love, however, is that they recognize they are the ocean of love; they know it's their essence. And they naturally overflow in this love. So instead of being love beggars, they become love philanthropists.
People always comment about my clothes. They don't think a fashionable woman can love food and be knowledgeable and actually cook.
I grew up watching classic animation, and I have always felt that the roots of animation is in fantasy and taking it in places that you can't go, any other way.
When people talk about imagination, they tend to think of fantasy or something made-up. But really imagination is a mode of perception. Which is maybe why so many artists have turned to the occult. Artists tend to feel like outsiders. Whether they are actually outsiders or not is also kind of irrelevant.
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
I write about, more or less, everything I can think of, that is I stretch my imagination as far as it'll go. I am kind of stuck in the middle as far as my life goes, and hence my imagination tends to zero in on things which are indeed in the middle. That is, I don't write about the very rich, who I scarcely know, or the very poor who I don't know very well either.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
The great thing about the animation process is that is goes from, I write the lines, it goes to the actors, the actors bring a whole world to that, they bring the characters to life, then it goes to the animators, then it goes to the editor who cuts it together, and then you screen it and it goes back through the system again.
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