A Quote by Bill Pullman
I always feel like there are a lot of different types of favourites. There are some that I look to for interesting things, some that I look to for acting things, others that I watch again and again.
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I know a lot of other actors that don't like to look at other references to their characters and things. But I like it. I always look at everything, I read all the books. I read Dieter's "Escape from Laos." I watched the documentary again and again and again. I recorded it just to listen to him a lot. I just don't suffer from feeling like I'm getting caught into an imitation. I just feel like I want to steal some good stuff if it's in there.
There are [in Hollywood] some endemic problems and some things that happen over and over again. There's the problem of representation of basically anybody but white men. These are things that we talk about a lot in contemporary culture, and it's interesting to me to go look at film history from the perspective of today.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
If you watch fights cage-side, sometimes different punches look better than others. It's like camera angles. Sometimes some punches look a lot better than they were, and sometimes a solid punch doesn't look good. So it just depends on your angle.
I think being appropriate is what you have to do. I think these trend things are terrible, like 'Ten Things You Must Have.' Why must you have them? They're a 'must' for some people, but for some they're not. It's silly. Again, it's all a matter of knowing who you are. You'll never run out of ideas once you do. But it's hard work and some people don't want to put in the time or effort. So they don't. And that's their issue. I don't sit in judgment on how they look.
I've been really fortunate that I've been at a lot of critical crossroads in my musical journey. When I look back, there are some pretty interesting things to look at.
One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.
With these big Wagner pieces, if I haven't started three years before, I'm screwed. You need time to look at the piece again and again and again, and then, like some fantastic casserole or spaghetti sauce, put it back in the fridge and let the flavours get together.
Let this coming year be better than all the others. Vow to do some of the things you have always wanted to do but could not find the time. Call up a forgotten friend. Drop an old grudge, and replace it with some pleasant memories. Vow not to make a promise you do not think you can keep. Walk tall, and smile more. You will look 10 years younger. Do not be afraid to say, I love you. Say it again. They are the sweetest words in the world.
I've dated some women who have turned me on to some funny things that are strange for men to actually do, but these things have become part of my process. I think the things I do for my appearance help make me look better. I even colour my hair because I like how it makes me look.
If I don't have something to do, I'm not the kind of person who can sit on a beach on holiday. I've got to go and check things out and see things and look at things, and have some kind of itinerary in my mind. I think that a lot of people who are, in some ways, successful are kind of like that.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
Cubism is like standing at a certain point on a mountain and looking around. If you go higher, things will look different; if you go lower, again they will look different. It is a point of view.
In general, I don't like game mechanics, I mean it's the idea you do the same things through different levels. I think, in my mind, it's an ideas I don't really like because I love to do different things and like to see the story moving on and I like to do different things and different scenes, not do the same thing over and over again. If it involves violence at some point fine, if it makes sense in the context. But violence for the sake of violence, it doesn't mean anything to me anymore.
If I probably didn't have tattoos, or if I probably didn't bleach my hair, or if I probably didn't wear blue jeans and a T-shirt to fancy things, if I didn't do things that make me look like someone who's whacked out of their mind, it'd probably be different. But then again, that's how I wanna dress.
I always have a lot of things going on because some things take years to make and others take five minutes. I like that there's always something going on. Working doesn't have such a momentous feel - like it's all or nothing.
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