A Quote by Billy Crudup

I don't want to expose the intricacies of my work so people can understand how I did it. — © Billy Crudup
I don't want to expose the intricacies of my work so people can understand how I did it.
Millennials want to find meaning in their work, and they want to make a difference. They want to be listened to. They want you to understand that they fuse life and work. They want to have a say about how they do their work. They want to be rewarded. They want to be recognized. They want a good relationship with their boss. They want to learn. But most of all, they want to succeed. They want to have fun!
It is vital for officials and regulators to have input from people within our businesses who understand the intricacies of how financial markets operate and the consequences of certain policy decisions.
The more stringent the rules and the more limiting they are, the more the poet and writer is forced to resort to special techniques and intricacies to escape them. And these techniques and intricacies adorn the writing and make it more beautiful. But, in the modern world, linguistic intricacies and embellishments do not attract much attention anymore, and the more sincere and intimate the relationship between a work and its reader, the better.
Does it mean, if you don't understand something, and the community of physicists don't understand it, that means God did it? Is that how you want to play this game? Because if it is, here's a list of things in the past that the physicists at the time didn't understand [and now we do understand] [...]. If that's how you want to invoke your evidence for God, then God is an ever-receding pocket of scientific ignorance that's getting smaller and smaller and smaller as time moves on - so just be ready for that to happen, if that's how you want to come at the problem
Usually, when people watch magic, there are two levels: the people who walk away accepting that there are things they don't know, and the other group, who wants to know, 'How did it work? How did that happen?' They want to unravel the puzzle.
How then did it work out, all this? How did one judge people, think of them? How did one add up this and that and conclude that it is liking one felt, or disliking?
The business of popularizing crime is how we expose the faults in our justice system. It's how we expose police misconduct.
I don't want to expose my personal life. It's best that people know me for my work. My family doesn't want to be surrounded by cameras. We want to live like any other family.
In my experience, the most staunchly held views are based on ignorance or accepted dogma, not carefully considered accumulations of facts. The more you expose the intricacies and realtities of the situation, the less clear-cut things become.
My four criteria: I don't want to work with people I don't like; I don't want to work in a business I either don't like or don't understand; I don't want to work for nothing unless I choose to, and I do a fair amount of that already; and I want to have some fun.
Whenever I'm trying to understand people that I don't understand, or things in people or even in myself, I'll say, 'When did this negativity get here?' I try to think back to how I was raised to deal with things, and then consider how the person that I'm dealing with grew up.
I feel that other people's suggestions are very dangerous. Yet, I can't say that they are always destructive or not useful. Perhaps, rather than having other people tell you how you should improve your work, they should just tell you how they understand your work, what they got out of it, so that you can figure out yourself if what you did was right or wrong.
Do you want to understand how to swim, or do you want to jump in and start swimming? Only people who are afraid of the water want to understand it. Other people jump in and get wet.
When you're in a relationship you want it to work. My parents did, I did. But we are not taught how to make it work.
Women are such incredible people. We're so multifaceted, we're so interesting, and any opportunity to celebrate that - because there's been many years of not being able to - and expose what it's like to be female and how we can be whoever we want to be, and do whatever we want to do, is great.
We did major work at the White House. But what people often don't understand is that when you do a historic restoration, you can't just do whatever you want. You work alongside the fine-arts commission and are obliged to create a replica of the past, as close as humanly possible. It's a historic institution, not a showhouse.
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