Lawrence of Arabia is the ultimate movie, deeply cinematic.
I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
I have never connected with 'Gone With the Wind.' 'Lawrence of Arabia' leaves me cold.
I can't see any reason why a dramatic story can't be in 3-D. I think 'Lawrence of Arabia' would have been fabulous in 3-D.
I've been on camels before, lumbering slowly through the desert - not hugely exciting, but I enjoyed the 'Lawrence of Arabia' vibe.
'Lawrence of Arabia' is a film that anyone wanting to become an actor should watch at least six hundred times.
I mean, it was a mummy movie. It was a good film independent of its source. It that looks like Lawrence of Arabia on steroids in a lot of ways.
The funny thing is that I'm the girl who no one sees at the beach. Ask anyone who's traveled with me. Normally, I'm in so many layers, I look like Lawrence of Arabia!
I suppose I prefer kind of epic dramas like, oh, I don't know... 'Lawrence Of Arabia' or 'Apocalypse Now'; those are the movies that I have a tendency to be most fond of.
Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
They chose me for Lawrence of Arabia because I spoke English, had black hair, black eyes and a moustache. It was all luck.
I've always loved the old epics that tell a simple emotional story, whether it's the tumultuous relationship between Rhett and Scarlett or Lawrence of Arabia's passion to get lost in a faraway place.
I love to look at The Graduate, or Lawrence of Arabia, or things I had nothing to do with. But you could not get me to go back and watch movies that it was a privilege just to be around them when they were being made.
My favorite movie is Lawrence Of Arabia. But that's a long, long movie. So although I've seen it several times, it's not as fun as Jaws.
I love 'Lawrence of Arabia,' big sweeping films. I want my films to feel that way, to be on a big canvas.
I never met Peter O'Toole, but he one was of those rare actors whose success was defined by a single role. His incandescent performance in David Lean's 'Lawrence of Arabia' is one that nobody who saw it will ever forget.