A Quote by Billy Wilder

I'm delighted with it, because it used to be that films were the lowest form of art. Now we've got something to look down on. — © Billy Wilder
I'm delighted with it, because it used to be that films were the lowest form of art. Now we've got something to look down on.
You know, I think there was a point in time when people didn't really understand how birth certificates were kept in the state of Hawaii, and now, I think that it's been pretty much disclosed that they used to have a long form and now they don't have a long form. Arizona used to have a long form, we now have a short form.
When I was younger, me and my brother got a video camera, and he used to direct and I used to act. We used to make these silly, stupid short films, which, looking back now, were probably horrible.
Whatever they are, can Comics be "Art"? Of course they can. The "Art" in a piece is something independent of genre, form, or material. My feeling is that most paintings, most films, most music, most literature and, indeed, most comics fail as "Art." A masterpiece in any genre, form or material is equally "good." It's ridiculous to impose a hierarchy of value on art. The division between high and low art is one that cannot be defended because it has no correlation to aesthetic response.
Independent film is almost nonexistent right now, because all the distributers that used to love to put out these little art films are all out of business right now, because it costs so much to open a movie.
Art used to be painting, sculpture, music, etc, but now, all technology has become art. Of course, this form of art is still very primitive, but it is slowly replacing reality.
When I was a kid, I thought movie stars were women and men who were in these great films that we still look at now. But I don't think there are too many films coming out these days that we're going to look at in the future and say, 'This is one of the great ones.'
When I was a kid, I thought movie stars were women and men who were in these great films that we still look at now. But I don't think there are too many films coming out these days that we're going to look at in the future and say, "This is one of the great ones."
As I got older, my ambitions changed and I wanted to be a graphic designer. In form five, I did Art for CXC and got a grade 2 at the general proficiency level. I was devastated because I was aspiring for a grade 1. I took a break from art when I went to A level because I could not cope with the disappointment of my Grade 2. But I guess when you love doing something you just can't turn you back on it completely.
When I started in the comic book business, 'Art Of' books were strictly the provenance of the greats, like Rembrandt and Da Vinci. But times change, and so do attitudes. Now the comic is considered an art form, and I hope 'A Life in Words and Pictures' contributes a little to that art form's history.
I think puns are not just the lowest form of wit, but the lowest form of human behavior.
It used to hurt when people ran down my films. I used to feel inferior. I wouldn't go to parties or award functions because my cinema is not considered good enough. But now I keep my head high, and I am proud of what I am doing.
When we started on 'Coraline,' there was a whole host of things that we had no idea how we were going to do. Because we were making films in a way that had never really been done before, we were taking this hundred-year-old art form and bringing it into a new era by embracing technology and innovation.
It must be understood that prime matter, and form as well, is neither generated nor corrupted, because every generation is from something to something. Now that from which generation proceeds is matter, and that to which it proceeds is form. So that, if matter or form were generated, there would be a matter for matter and a form for form, endlessly. Whence, there is generation only of the composite, properly speaking.
People have very specific opinions of comedy. Slapstick was an art form in the '20s and the lowest form of show business in the '50s. Who's right, who's wrong? Who's an idiot, who's not?
Science fiction, in its purest form, for me, it works the best when it's being used as metaphor to look at something from a one-step-removed process, to give a little objectivity and insight into something that, if you were applying it on the face of it, we'd all be too close to.
In every art form, nothing exists in a bubble. It exists because of what came before it. A lot of bricks were laid. I think if it weren't for 'The Purge,' 'Get Out' wouldn't resonate as a mainstream movie. You push on the taste of the audience, in a way, get them used to something, and then you keep pushing on it.
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