A Quote by Billy Wilder

Develop a clean line of action for your leading character — © Billy Wilder
Develop a clean line of action for your leading character
Throughout our lives, we develop our character consciously or unconsciously. In your journey to a life beyond amazing, you'll learn to develop your character in ways that bring remarkable rewards.
Education must be orientated towards the attainment of character for leading clean simple lives.
And, for any performer, to be able to go deep into character is fantastic. In film you only get to do that if you're the leading character. But in television you get 18 hours to really test the audience and take them to the edge of how far they will go with this character. I can step over this line and I love that.
You can't really do a big character in an action film; you're already suspending your disbelief in the action, then to suspend your disbelief in the character is too much.
I've always been very strong minded on character-based fights and character-based action. If you take the character out of the action and you just shoot it as an action sequence, the audience starts to lose connection.
Your ultimate life experience and legacy is being built moment by moment, day by day. Your story is being crafted by your every action, all leading somewhere, all leading to what one hopes will be a magnificent crescendo.
Your character is your destiny. Building character is a task for the brave and dedicated. There are no shortcuts when it comes to building character. If you wish to cure minimalism in your own life, to develop a complete commitment to excellence and an absolute rejection of mediocrity, the question you need to start asking yourself is, "What is the most I can do?"
I never really thought of myself as being an action hero or a leading man or any of that. I'm a character actor.
I never really thought of myself as being an action hero or a leading man, or any of that. I'm a character actor.
Action is only really compelling when it reveals character - character revealed through action, and not action for its own sake.
Can it be that action is active resignation? Something is trying to develop; it moves ever so slightly, and there comes your man of action and bashes in the hothouse windows.
On the stage you develop a character that's different from yourself. In a film they're always saying, 'Walk over here. Say this line. Be you.'
Instead of thinking in terms of chords, I think of voice-leading; that is, melody line and bass line, and where the bass line goes. If you do that, you'll have the right chord. [These voices] will give you some alternatives, and you can play those different alternatives to hear which one suits your ear. Keep the bass line moving so you don't stay in one spot: if you have an interesting bass line and you roll it against the melody, the chords are going to come out right.
I believe in the fact that to portray a character convincingly, you need to live that character, own that character. You have to be earnest with every line that you deliver. However, it doesn't mean that you have to cut off your true self.
Yes, there is a Nirvanah; it is leading your sheep to a green pasture, and in putting your child to sleep, and in writing the last line of your poem
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
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