A Quote by Billy Wilder
Shoot a few scenes out of focus. I want to win the foreign film award.
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The reality is that we have all these awards and all these festivals that give out awards, so you sort of go, 'okay, well, people liked the film, and I think it's a good film, and it's up for an award - well, I guess it should win the award then.'
I feel like regardless of whether or not I win this award or I win that award or I don't win this award - I'm still Sam at the end of the day. And that's what defines me.
I often found that my favorite scene that I shoot is often one that I cut out, like in 'The Last Castle' and 'The Contender.' If you look at the deleted scenes, some of the best scenes never made it into the film.
It's never the practice to shoot the scenes in the proper order. Sometimes you shoot the final scenes of a film before you've even started the beginning. So you get good at it because you have to sort of just eliminate the memories of something you've done as an actor, which you haven't done as the character yet. But it sometimes is a bit of a mind-f**k.
A new kind of award has been added -- the deathbed award. It is not an award of any kind. Either the recipient has not acted at all, or was not nominated, or did not win the award the last few times around. It is intended to relieve the guilty conscience of the Academy members and save face in front of the public. The Academy has the horrible taste to have a star, choking with emotion, present this deathbed award so that there can be no doubt in anybody's mind why the award is so hurriedly given. Lucky is the actor who is too sick to watch the proceedings on television.
I may find myself changing my notions about what I want to do right in the middle of a film. And on days when I'm feeling merry, I shoot merry scenes, and on gloomy days, I shoot gloomy ones.
I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
It feels amazing to know that the whole country thought my role in 'Newton' was one of my best, and to win the Special Mention Award at the highest film award in India is just exhilarating.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
Why do we want to win an award? Yes, my grandmother would be very proud, but I think it's also so people can hear, 'Oh, this show won an award. I guess it's good. I should watch it now.'
I'm not a player, I'm an alien. I wasn't actually there. I was in another galaxy with my galactic friends. My focus is on winning championships. I don't focus on anything else. Aliens only want to win championships. That's it. Injuries is not a focus. Trade talk is not a focus. Nothing is a focus. Gluten-free pasta is not a focus, which I would rather have gluten-free pasta. Hey, if I have to have regular pasta. ... It is what it is. I'm still going to try to win a championship. Nothing will distract me from my focus, my galactic mind.
The biggest difference for me is momentum. On a smaller film you get to shoot sometimes four or five scenes a day and you've got to do the tight schedule. I think I really feel the luxuries of a big budget film.
Would it be nice to win a film award one day? Yes. But the critics are going to have to wait till I'm ready. Right now, my gift is making big movies that audiences want to see.
Obviously, you never shoot the scenes of a film in order or only very rarely.
The shooting of 'Nadunisai Naigal' started at 7 in the evening and ended by 4 in the morning. Physically too, it was a very demanding film as I have a lot of action scenes. I had to run, roll in the mud and was chased by dogs. It was not an easy film to shoot.
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