A Quote by Blaise Aguera y Arcas
This is taking [photos] from everybody - the entire collective memory of what the Earth looks like - and linking all of that together.
Related Quotes
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
One can say that the city itself is the collective memory of its people, and like memory it is associated with objects and places. The city is the locus of the collective memory.
Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.
I have a hard time watching the shows now. It is like opening up a yearbook when you were in junior high. I think everybody looks back at their photos and cringe, and I get to experience it with everybody else in the world looking at mine.
As I like to say, the entire collective memory of the species - that means all known and recorded information - is going to be just a few keystrokes away in a matter of years.
The Earth is the Lord. Everybody walks on the earth. And nobody respects the Earth. Everybody who walks on the earth, shits on the Earth. Spits on the Earth. Don't respect the Earth. So the Earth didn't like it. So the Earth call for a revolution. And the earth is fighting back. The Earth call for a revolution. The Earth call for justice. And the Earth get justice. 'Cause the Earth release ganja. The Earth release herbs.
The majority of my photos are taken while traveling, because everything feels new and exciting initially. Taking photos is like a way to make sense of the overwhelming.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
I think history is collective memories. In writing, I'm using my own memory, and I'm using my collective memory.
So what does it look like to live a life worthy of the gospel of Jesus Christ? It looks like walking with, loving with, and doing life with those who are different from you. What binds you together is Christ. It looks like striving together to make Christ known. What motivates you is Christ. And it looks like standing with courage against all oppressors, natural or supernatural. What secures you is Christ.
A writer's main tool is his memory - his own memory, the collective memory of his people. And the strongest memory is the one that is created by a wound to the heart.
When your entire brain is active, that means you are taking everything in through all sense perception. Your entire memory bank and your instincts are in play, so you make much quicker and more intelligent choices.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
Following the invention of writing, the special form of heightened language, characteristic of the oral tradition and a collective society, gave way to private writing. Records and messages displaced the collective memory. Poetry was written and detached from the collective festival.
Taking the line of least resistance, we lump the most different people together under the same heading. Taking the line of least resistance, we ascribe to them collective crimes, collective acts and opinions. "The Serbs have massacred…", "The English have devastated…", "The Jews have confiscated…", "The Blacks have torched", "The Arabs refuse…". We blithely express sweeping judgments on whole peoples, calling them "hardworking" and "ingenious", or "lazy", "touchy", "sly", "proud", or "obstinate". And sometimes this ends in bloodshed." – Amin Maalouf "On Identity
When you talk about avant-garde cuisine, the surprise factor is really important. For example, I love looking at blogs and the photos, but I'm not that keen on other people taking photos of my dishes.
