A Quote by Blake Lively
There are looks that I see on other people that I think would look horrible on me, but I think if somebody has the courage to be really daring and try something outlandish, then more power to them. Thats just encouraging and inspiring.
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There are looks that I see on other people that I think would look horrible on me, but I think if somebody has the courage to be really daring and try something outlandish, then more power to them. That's just encouraging and inspiring.
When you label somebody and put them in a box, then you put the lid on the box, and you just never look inside again. I think it's much more interesting for human beings to look at each other's stories and see each other. Really see each other and then see themselves through other people's stories. That's where you start to break down stereotypes.
I only try to talk to people about things I really do use in my shot. If I see something similar and something that will help them, then you try to come to them and say, 'I think I might have something for you. Think about it if you like it.' If they do, and they want to keep talking about it, then I will.
Some people even think that I'm still just not right for it [ballet]. And I think it's shocking because they hear those words from critics saying I'm too bulky, I'm too busty. And then they meet me in person and they're like, you look like a ballerina. And I think it's just something maybe that I will never escape from, those people who are narrow-minded. But my mission, my voice, my story, my message, is not for them. And I think it's more important to think of the people that I am influencing and helping to see a broader picture of what beauty is.
Sexuality is so much more complex than our boobs. My sexuality isn't me as an object to be looked at. It's the way I say "hello" to somebody, the way I sit with somebody. A body is just a body. But we're really afraid of bodies. They hold a lot of power - I think that's why people can try to shame them so easily, because they are so powerful.
It's not about what you achieve, it's actually what you do for your industry and that's what I think is important. And when people look at me and they see my achievements with the restaurants do you know what I think? I think I did more than that. What I achieved was teaching young men and young women when they were young and inspiring them.
If I was to really get at the burr in my saddle, it's not politics - and this is, I think, probably a horrible analogy - but I look at politicians as they are doing what inherently they need to do to retain power. Their job is to consolidate power. When you go to the zoo and you see a monkey throwing poop, you go, 'That's what monkeys do, what are you gonna do?' But what I wish the media would do more frequently is say, 'Bad monkey.'
People found me ugly and weird looking. All those years of that whole insecurity thing just makes you feel horrible then really slowly you start to think if they can make me look nice in the picture then it's not that bad.
We make films that we ourselves would want to see and then hope that other people would want to see it. If you try to analyze audiences or think there's some sophisticated recipe for success, then I think you are doomed. You're making it too complicated.
To talk about something like prostitution, the other person then becomes the wild card that will have a response, and it may not be the response you want. Sometimes I think saying it would be selfish to tell them is still being under the illusion that you have all the power. You say it would be selfish to tell them, when in fact you're scared that in telling them, it gives them the power to do what they might want to do because once they know, they become somebody who could be reactive.
I would love to do both but I think I believe there's a thing as overexposure and I think people will get sick of me real quick. I kind of basically looked at it as my retirement plan now. That's definitely something I can do when I'm not wrestling anymore. And believe it or not - this sounds horrible - but it was really easy for me. I would really love to do both. I'd love to wrestle and do commentary, I think that would be awesome.
I follow my instincts and I always think about what movie I would like to see. If I want to see it then I'm guessing that some other people might want to see it as well. I never try to think about what people will love or will like, because when you start to think for other people that's where you lose track of the real motivation.
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.
I feel like I'm doing something that's worthwhile. I feel like I'm showing something other people haven't shown. I don't get to talk to the people who I photograph, I just go, along, banging away. So I don't really have a relationship with them. A lot of people think it's very important. I don't. It's like love at first sight. I have an impression when I see somebody, and I have an idea of who they are, or what they are.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I think the lies I make the most are in regards to my hopes and intentions for myself. As for lies I tell other people - I will certainly tell lies. When somebody is very ill and looks awful, and you tell them they look nice. Or if you just ate the last cookie, if someone asked me if I ate the last cookie, I would definitely lie about that.
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