A Quote by Blythe Masters
I have a quantitative background, but really, derivatives appealed to me because they require so much creativity.
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I don't really care what someone's background is; creativity can come from any background.
In software you can't really add people and expect to get more done, because their ability to understand the program and what's going on it would require so much investment and all their work would require so much review that you'd be more likely to slow things down.
The loss of quality that is so evident at every level of spectacular language, from the objects it glorifies to the behavior it regulates, stems from the basic nature of a production system that shuns reality. The commodity form reduces everything to quantitative equivalence. The quantitative is what it develops, and it can develop only within the quantitative.
When I realized that Reuben was a young man who really wanted to be taken seriously, because he was dismissed for being too good looking or because he had too much money - his character really came to life for me. I began to understand that, and see that a lot of people feel this way - misunderstood because of their talents or gifts or background.
During college, in Los Angeles, I interned all over Hollywood. Development roles appealed to me; they were a perfect blend of business and creativity.
When you're doing martial arts, you feel like you can master certain skills and be so much more in control of who you are, so that really appealed to me.
I was working on other things and I wanted to make a film, and I had some ideas brewing in my head. Brandy's [ Burre] circumstance was such that I didn't really know what was going to happen. That was obviously a surprise, but I knew she was in her mid-to-late thirties and she was starting to really think about her life in a way that really appealed to me, appealed to the women that I know in my life.
The freedom of punk really appealed to me because I came from the rules and regulations of studying classical piano.
People think that I'm mean because I'm quiet, and I don't really go out places or because I don't really say too much. On the other hand, people think that I'm soft because I may not handle myself the way other people handle themselves. That's just not me. They don't know my background or none of that stuff.
I don't deliberately select my friends because of their background. If I enjoy someone's company, then that's all that counts. I have many different friends who aren't from the same background as me and we get on really wellit's brilliant.
What I tend to do is blend quantitative with the qualitative to allow me to plot the qualitative data in some way. It's a question of what quantitative data are most applicable. So I'm playing with that, merging the two.
I'm really interested in the link between creativity and humor because humor is a type of creativity, and I do think that humorous people and humorous health helps creativity.
Do we have to regulate derivatives? Yes, we do. 'Cause when I did this in my investments, frankly, no one knew who could pay who. But derivatives have an important place in our economy.
Right now, my focus is really acting and directing. But I see the creativity and the work that goes into building a network, and it's fascinating to me. If those doors open for me... I think just learning as much as I can at this point is really what it's about.
When you're borrowing 40 cents of every dollar that you spend, that can't continue much longer. I think everybody really does understand that, and it's going to require all of us - those who are the most fortunate among us - but it's really going to require every American to contribute to a solution.
I read the Koran and it appealed to me. At the time I was agnostic and it really breathed spiritually back into me. For me it's really a cushion; it's cool, I'm cool with it.
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