A Quote by Bobby Farrelly

We feel that what's too far is when you make a joke and somebody gets hurt. — © Bobby Farrelly
We feel that what's too far is when you make a joke and somebody gets hurt.
We can carry the burden of hurt throughout our lives. We can make the hurt that we have experienced the defining aspect of our stories of ourselves. That means that somebody else gets to say who we are, somebody else gets to decide how we feel, and somebody else gets to decide how we see the world. Forgiveness not only frees us from the burden of someone else's opinion of us, but it allows us the opportunity to really write a story of ourselves that we can love, enjoy, relish, and live into.
Guys get hurt in fights. It doesn't mean you stop a fight every time somebody gets hurt.
When I make a joke, nobody gets injured... when Congress makes a joke, it's the law.
There's an unwritten protocol when you hurt somebody. And when I say you hurt somebody, obviously it's not on purpose, but it still happens. I know I've rocked guys before where I checked on them after to make sure everything's cool.
I don't go out there to hurt people, I don't even know how to attempt to hurt somebody. I play hard, bring the edge. I'm an instigator. That gets me going.
I feel very vulnerable when it has to do with family. Having lost my mom, who I was so extremely close to, now I feel so vulnerable when somebody gets sick or hurt. I become a complete wreck until they're well. Even if it's a cold! I compare myself to Marlin in Finding Nemo.
The action pictures I've been typically involved with, when somebody gets punched, you really feel the punching, and when somebody gets shot, you really feel the shot.
When money gets too far away from actual, physical, real equity and property it gets too abstract and too distantly derived and then suddenly it's not worth anything anymore. And the same is true of language.
You can crack a joke and make a person smile but it matters a lot when that's on screen. It can be a very nice joke but if you shoot it badly or the actor gets the timing wrong, it won't be funny.
When you're really bummed out, the last thing you want to hear is up-tempo and positive. And it lets you know that you're not alone, that somebody has hurt before. It works the same way with chick songs as it does with political songs. When you hear somebody singing about these things, you know that you're not alone, that somebody else is suspicious of what's going on around us in the world. So you don't feel like you're crazy, and you feel like you might be able to make a difference.
People feel like using the word 'joke' removes responsibility for the hurt their words may cause. It doesn't; in fact, it may make things worse.
When somebody is that patient, you have to feel grateful, and then you want to hurt them. Does that make any sense?
...Any fool can love somebody who's perfect, somebody who does everything right. But that doesn't stretch your soul. Your soul only gets stretched when you can still love somebody after they've hurt you.
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
I think any great song is difficult to write, in some aspect. It's just difficult to make somebody feel something. That is the main goal. How do you make somebody want to get up and dance? How do you make somebody feel okay after their breakup?
As far as the talent goes, when you see somebody who's really hungry and talented and has a bright future, you are willing to allow them to spread their wings and try things. And sometimes they are going to make mistakes, and you're going to have to reel them in and control them. And if it gets too bad, you have to really step in.
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