A Quote by Bocafloja
On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.
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Wherever we direct our attention to Hindu literature the notion of infinity presents itself.
The music industry is such a huge machine. There are still a lot of good people in it, but the character of the industry and the culture of the industry is very fast.
I have a conflicted relationship with musicals, because I think the music itself can be so horrendous. It's an industry that relies on appealing to a mainstream culture in order to survive.
So many people for so many years have promoted technology as the answer to everything. The economy wasn't growing: technology. Poor people: technology. Illness: technology. As if, somehow, technology in and of itself would be a solution. Yet machine values are not always human values.
Beauty is the main positive form of the aesthetic assimilation of reality, in which aesthetic ideal finds it direct expression.
G.O.O.D. Music is on top because G.O.O.D. Music is the culture. When you think of, you know, just every aspect from music, influence, fashion, art level. If it's not G.O.O.D Music, then it's somebody who was influenced heavily by G.O.O.D. Music.
Without an allegiance to beauty, art degenerates into a caricature of itself. It is beauty that animates aesthetic experience, making it so seductive; but aesthetic experience itself degenerates into a kind of fetish or idol if it is held up as an end in itself, untested by the rest of life.
In the 'Disruptive Broadcasting' space, TV on IP networks is now just another application in a broadband world. We have already seen the transformation of the computing and communications industry with respect to traditional telecom. Now, history is repeating itself with traditional broadcasting.
I think where traditional values are concerned, Chinese people see nature as very symbolic. It's a form of culture.
But though every created thing is, in this sense, a mystery, the word mystery cannot be applied to moral truth, any more than obscurity can be applied to light. ... Mystery is the antagonist of truth. It is a fog of human invention, that obscures truth, and represents it in distortion. Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.
There's only so often you're going to have an opportunity to contribute at a high level and that you should be grateful whenever one presents itself and not take it lightly.
Inaudible prayers, particularly of the Canon, which at first don't seem to have anything to do with music, end up being a very important part of the aesthetic of the traditional structure of the Mass.
Every culture, or subculture, is defined by a set of common values, that is, generally agreed upon preferences. Without a core of common values a culture cannot exist, and we classify society into cultures and subcultures precisely because it is possible to identify groups who have common values.
There's always this talk of the industry of music and about selling records and whatever, but that ignores probably the majority of music that isn't about trying to sell itself, that isn't about being connected to any industry. There's a huge amount of music where someone just happened to have a tape recorder and turned it on or hit the red button while they were in the back of church or recording something in their front room.
The U.S. has always understood itself to be united around political principles and not around culture, whereas the nations of Europe have a much more traditional conception of nationhood that is connected to romanticism, which thinks of religion and culture as ingredients of nationhood.
As for complicating the black metal aesthetic, I don't care about that since it was never a goal of mine to lay out any particular preconceived aesthetic, let alone one of traditional black metal where pseudonyms are adopted.
