A Quote by Bong Joon-ho

I don't intentionally make my films with the express goal of surprising the viewer. — © Bong Joon-ho
I don't intentionally make my films with the express goal of surprising the viewer.
My goal is to make the viewer a little bit smarter.
Pure Flix makes evangelistic films, but we also make family films. I think the viewer wants to see quality entertainment that the whole family can watch, and many nonbelievers watch our films because they can watch with their family and young kids.
I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
A lot of the pieces I've done over the years have involved alterations of scale and the idea of the viewer's relationship to the object and how we see things by either enlarging or reducing objects, it causes the viewer to look at them again. It's hard to do because our culture is so bombarded by images and media. How do you make something fresh for a viewer? That's a real challenge.
People like my films. They understand me through my films; it's like a connection that has been established between all my work and myself and the audience and the viewer.
I think that people who make films and think they're changing the world are sorely mistaken. If that really is your goal, there are far better ways to do it. I'm making politically observant films for audiences.
As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
If we make films only for the frontbenchers, we can't make money. Hence, we have to make it for a majority audience. As my films are mass films, I deal with emotions in raw form - they are not subtle. I don't mind being branded. That does not mean I like only those kinds of films.
The movies I make - the goal isn't a mass audience. They're not expensive films. So the attempt is to reach a much more limited audience - one would say an audience that enjoys films that challenge them emotionally and intellectually.
I'm not a politician; I'm lucky to be a filmmaker and to be able to express myself through the films I make.
I will continue to make films to express my thoughts that come from my observations, from the society we live in.
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
I guess I probably make violent films partly because I can't express my anger in my real life very well.
I'm not an abrasive person. I do speak my mind, but my goal is never to offend. I don't intentionally want to strike a chord.
I like horror films and romance films. Films where you're going in being like, 'I'm coming here to be scared or to fall in love.' You have a goal.
It's almost inherent, but I'm a massive Stanley Kubrick fan. I'm a big admirer of what guys like Christopher Nolan have been able to do. For me, to be able to try to make big films that reach a lot of people, and that hopefully have something to say, is a lofty goal, but that's my goal.
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