A Quote by Boyd Holbrook
For an actor, to go to work every day is a really rare occurrence. You may work on a film for three months max, and then you're off, so you have to find another job and then work another three months.
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I feel like being an actor it is a great way to do your job and be a parent, because you have a lot of freedom. You have a job and then the job ends and than maybe you don't have another job for a while or maybe you chose not have another job for a while. For an actor, it's like maybe you don't see your kid for two weeks while you are filming but then you might have three months off where you are at home every day and picking him up from school. I find it's a great thing.
The good thing about being an actress is that it's very children-friendly. I can work for three months and then I can have six months off. And then I can work for six months and have six months off.
If you have to do durational work, you have to train! No bullshit. You can't do it for three months. You can do it for five hours, 10 hours, and then you have three months rest. If this is your job, you have to be flexible.
I work three months really hard, nonstop, and then I take a month off. Then I do it all over again. I work hard but I give myself four breaks a year.
The reason I wanted to start directing is that as an actor I felt I came into a job late. There's a whole team of people who have been working on it for months before you start. You have this really intense period of filming and then you leave it, knowing that the director will work on it for another few months.
The good thing about being an actress is that it's very children-friendly. I can work for three months, and then I can have six months off.
I wanted to make a movie, because the whole life of the movies appealed to me. You work hard for three or four months, then you don't work at all for a couple of months.
The negative about acting is that you have to spend a great deal of time away from your friends and loved ones, but it's not like working a 9-5 job and only having two or three weeks off a year. I may not have seen my girlfriend for two or three months, but then we can spend two or three months together solidly.
If I focus solely on developing new material, then I can get a new 45 minute to an hour in about six months. Then I'll work on it and work on it and can make it killer within another six months or so.
What's frustrating as an actor, when you want to work hard, you can only work once that phone rings and then you can only work until the production wraps. Then you have to find another job.
There are times as an actor when you don't work for two months, sometimes three or sometimes six, and the only thing that's going to keep you sane is if you give back and live your life. I've definitely gone through that. It's like, 'Okay, I'm out of work for two months.' That's two months I can paint.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
Session work is not a steady thing at all. You do eight of them in one week and then go three months without any. That's the way it really is.
After the pancreatic cancer, at first I went to N.I.H. every three months, then every four months, then every six months.
Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.
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