A Quote by Bozoma Saint John

When I first walked into Uber, it was very difficult because people were unsure about what was going to happen - there was a real sense of powerlessness. — © Bozoma Saint John
When I first walked into Uber, it was very difficult because people were unsure about what was going to happen - there was a real sense of powerlessness.
I learned a tremendous amount about what was important to me as a head coach in that I was not in charge. I didn't have final say about what was going on, and I was always having to represent other people's views, and it was very difficult to be real, to be authentic, to be true because there were a number of people who had say about what was going on.
What I was talking about was, of course, very autobiographical - '68 was the moment when all the young people were incredibly excited, because when we were going to sleep, we knew we would wake up not tomorrow, but in the future. There was a sense of future that was the result of the mixture of politics, cinema, music, the first joints. And the movies were a very important part of that cocktail.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
One of the things that is nice about these old pastors - they were young at the time - who went into the Middle West is that they were real humanists. They were often linguists, for example, and the schools that they established were then, as they are now, real liberal arts colleges where people studied the humanities in a very broad sense. I think that should be reflected in his mind; appropriately, it is.
The business was in a very difficult state when I first took over the company. I walked into a situation where cheques were getting written, popped in drawers, so that when people phoned up, they could honestly say, 'Look, we've signed the cheque. You'll get it ultimately.'
In 2008, we had barely put our first album out and a lot of people were unsure about us on that tour. But the crowds were insane to say the least.
I think Salesforce, going public very early on before they were profitable, it made a lot of sense for them because it got customers comfortable that these guys were going to have capital and be transparent about their business.
A lot of people lose a sense of reality when they achieve success. That's a terrible danger because you have to remember who you were and who you are basically and that you're still a person and all that out there is a kin of magic - what people see out there is magic, it's media magic. It's not very real and it's very glamorous, but you have to keep a sense of you through it all.
Morocco is completely alive for me because I spent about a third of my life there. The first few times I went back to Casablanca, I walked through the streets and remembered how years earlier I had walked those same streets and prayed that a miracle would happen and I would leave and become famous.
It does not bother me that some say I'm dull and boring because the people that do know me will tell you a different story. It is very difficult to be open with people you don't know. There is nothing I can do about the fact that the real me does not get across and it is probably difficult to know the real me.
Before the war, my parents were very proud people. They'd always talk about Japan and also about the samurai and things like that. Right after Pearl Harbor, they were just real quiet. They kept to themselves; they were afraid to talk about what could happen. I assume they knew that nothing good would come out of it.
The plot is very important because writers have to play fair with their readers, but no one would care about the plot if the character work wasn't there. So, basically every book I work on starts with me thinking not just about the bad thing that's going to happen, but how that bad thing is going to ripple through the community, the family of the victim, and the lives of the investigators. I am keenly aware when I'm working that the crimes I am writing about have happened to real people. I take that very seriously.
The twentieth century seems afflicted by a gigantic... power failure. Powerlessness and the sense of powerlessness may be the environmental disease of the age.
A writer who wants to be translated and published abroad faces a very difficult challenge: first of all, he must make sure that his book is cosmopolitan in the best sense of the word, that it is interesting to a global audience. Nobody is going to read about problems that they don’t care about.
Those years on the golf course as a caddie, boy, those people were something. They were vulgar, some were alcoholics, racist, they were very difficult people to deal with. A lot of them didn't have a sense of humor.
It's very difficult to have any kind of romantic feelings for a movie where you know exactly what's going to happen in the first five minutes.
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