A Quote by Brad Bird
When caricaturist, Al Hirschfeld, did a drawing of a celebrity, it often looked more like the person than the person did. That's our goal in animation.
Related Quotes
My favorite caricaturist is Al Hirschfeld. I'm always trying to give my caricatures that streamlined quality - and I often fall short.
In some ways, I feel like the strength of animation is in its simplicity and caricature, and in reduction. It's like an Al Hirschfeld caricature, where he'll use, like, three lines, and he'll capture the likeness of someone so strongly that it looks more like them than a photograph. I think animation has that same power of reduction.
Speaking of line, what artist of line was ever able to find more depth and volume than Hirschfeld? He was an illustrator and a caricaturist, but first and foremost, an artist.
You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is... suddenly the only person you can ever imagine yourself with.
The support of my mother has made such a difference in my life, sacrificing everything to make sure that we went to school, did our homework, got an education. That was one person supporting me, and it takes more than one person in our community to help raise our children.
When did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin?
When we were younger, playing a bar or a club, we did what we did to get as many people to like what we were doing. I wanted the person in the back of the room to like it as much as the ones in the front. That's how I've always looked at it.
There was never a person who did anything worth doing that he did not receive more than he gave.
Often, when cheating happens, we rush to place blame solely on one person - either the person who did the cheating, or more insidiously, if it happened to us, we blame ourselves for not being 'good enough' to keep them around. But putting it all on one person doesn't paint the entire picture.
When I did 'Esquire,' I did a lot of celebrity covers, but the celebrity cover was Hubert Humphrey as a dummy, sitting on Lyndon Johnson's lap and aping his feelings about the war. I did celebrity covers that made a difference in what was going on in American culture.
I always hear people saying, "If I can just help one person, or if I can just stop one person from doing what I did." I don't think one person is enough. I feel you can help more than one person, help as many as you can. That's something that I would like to leave as my legacy: That I helped a lot of people and made some people make better decisions after looking at the decisions I've made in my life.
It feels like animation has a little more independence than traditional sitcoms ever did.
We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.
Adrian suddenly glanced up at me. Our gazes locked, and I felt like he could read my mind. How often did he think about that kiss? And if he really was crazy about me, did he imagine more than just kissing? Did he fantasize about me? What kinds of things did he think about? His lips on my neck? His hand on my leg? And was that leg bare . . . ?
I've never tried to measure myself on any scale. A person is more multifaceted than the label they often get stuck with. On the other hand someone's whole behaviour allows you to characterise them in a certain way. This person has liberal convictions, that person has conservative ones, this person is a radical socialist, and so on.
Until there are no more hate crimes, no more vicious bullying and ugly slurs, whenever a person comes out - whether that person is a celebrity or a 'nobody' - it should be celebrated like the triumph of courage it is.
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