A Quote by Brad Bird
History is rife with stories of directors who got so obsessed that their films went massively over budget - out of control.
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We massively exaggerate the exotic risks we can least control and massively undervalue the mundane risks we can control.
Every video I do is over budget by the time I walk on set. I am massively extravagant in my personal habits.
Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
The AMA virtually stopped the Rife treatment in 1939, first by threatening the physicians using Rife's instrument, then by forcing Rife into court....During the period 1935 to early 1939, the leading laboratory for electronic or energy medicine in the USA, in New Jersy, was independently verifying Rife's discoveries...(this) laboratory was "mysteriously" burned to the ground.....Rife's treatment was ruthlessly suppressed by the AMA's Morris Fishbein.
People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
The budget doesn't have much control over the government. Then again, the government doesn't have much control over the budget.
I'm not interested in going to see films that massively overrepresent men over women. It's lik,e how much more have we got to say about this? Like men in war and dealing with their masculinity in conflict. I just think we've exhausted the landscape.
It is always good to be cast in films with good stories and content, made by such amazing banners and directors. For an actor it's a task to work in films like these.
My low-budget films, more than anything, taught me that you've got to create cool, likable characters and great stories because, if you don't, it doesn't matter how cool it might look - no one is going to care about it.
My personal history, along with the history of many black people in this country, is rife with trauma born out of anti-black policies aided and facilitated by presidents and their administrations.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
I'm all for art-house foreign directors - I think they make terrific films - and I'm also for the bigger budget movies. It just depends on what the character is, the director, the script.
Everything we know has come from stories that have been told over and over again as truth. Those stories turn into history.
I'll put it this way: with the kind of films that I do - creatively driven, with interesting directors and writers - I don't feel the need to work with the super established, top-tier directors that are out there.
I don't know how to measure success. I have been fortunate that I got exciting films to do and work with talented directors who brought out the best in me.
My dad, bless him, he was never into Marvel before, but now he's obsessed with it. When I got the job, he started watching his way through the films, and he's got all these different YouTubers that he now watches for theories, and he tries to get spoilers out of me.
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