A Quote by Brad Bird

At the time that George Lucas made the first 'Star Wars,' space was always presented as pristine. And he wanted to show that they may be fabulous vehicles, but they've been driven some miles. And, without anyone thinking about it or thinking that was going to help make it a pop hit, everybody believed in that world, because it looked inhabited.
If you go into a comic book store, there are tons of Star Wars stories on the stand. There are lots of different stories to tell. Maybe George [Lucas] won't tell them. Maybe some kid, who's a Star Wars fan that's planning to go to film school, will call Lucas and say, 'I'd like to make a Star Wars film.' Then, they'll make one.
I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.
I was thinking I would love to make something that is a successful film that everybody sees, but I wasn't thinking about the actual dollar amount. I just wanted to make a great film that people responded to. That's always a good ambition because you'll never totally hit it.
I mean listen, ultimately I'm positive George Lucas was inspired by 'Dune' when he made 'Star Wars.' I don't know if that's sacrilegious to talk about, but there are a lot of similarities in some areas, so you could tell he was definitely influenced by that.
The world's all full of thoughts about wars and space, and tragedies to the world. That's what writers are thinking about because that's what the world is thinking about.
Star Wars is not entertainment. Star Wars is George Lucas masturbating to a picture of Joseph Campbell and conning billions of people into watching the money shot.
That aesthetic of the Star Wars universe: the do-it-yourself, hotrod ethic that George Lucas exported from his childhood, is exactly the same kind of soul behind what we do and build for the show. It may not look pretty, but it gets the job done.
On reflection, some things do super well because they hit with the time. Some things do super well because they are able to activate a kind of echo chamber or bandwagon or cascade - they didn't particularly hit with the time. Some things are just too astonishingly good to not hit the top. Those three explanations, with respect to the Star Wars phenomenon, seem to me all to pass the plausibility test, and to explore them, with respect to Star Wars, I think casts light not just on the saga of our time, but also on everything about our culture.
Ever since 1980, sci-fi has generally been more Bladerunner than Star Wars. People talk about Star Wars being the most influential movie of all time and creating the blockbuster along with Jaws and that sort of thing, but really there's not been a space opera that anyone can go and see.
Perhaps the most significant thing George Lucas did in creating 'Star Wars' was to fictionalize the Tao - to spark a universe where we can talk about the Force in objective terms and show it in direct action.
George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that.
Doing a 'Star Wars' TV show could be prohibitively expensive because 'Star Wars' requires a lot of prop building and a lot of character building, so we wanted to - with ILM's help - be able to make it a financially viable option to solve all the problems that you have with shooting a blue screen environment.
Nooo! Leave that to George Lucas, he' s really mastered the CGI acting. That scares me! I hate it! Everybody is so pleased and excited by it. Animation is animation. Animation is great. But it's when you're now taking what should be films full of people, living thinking, breathing, flawed creatures and you're controlling every moment of that, it's just death to me. It's death to cinema, I can't watch those Star Wars films, they're dead things.
I love what I'm doing. And the world is so mad at everybody. If I do something to make people smile, I'm going to say, I got you. For that moment, if it don't last, I made you forget about the other thing you might have been thinking about.
I was thinking about all these things and more, but I wasn't really thinking about them at all. They were just there, floating around in the back of my mind, thinking about themselves. What I was really thinking about, of course, was Lucas.
Way back at the beginning, I went to see George Lucas when he first came to London for 'Star Wars.' I met him months before they started, and he didn't ask me to do the picture at all. But the actor whom he had employed to play Wedge didn't work out for some reason.
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